Howl (poem)

Howl 

by Allen Ginsberg
Howl and Other Poems was published in the fall of 1956 as number four in the Pocket Poets Series from City Lights Books.
Written	1955
Country	United States
Language	English

"Howl" is a poem written by Allen Ginsberg in 1955, published as part of his 1956 collection of poetry titled Howl and Other Poems, and dedicated to Carl Solomon.

Ginsberg began work on "Howl" as early as 1954. In the Paul Blackburn Tape Archive at the University of California, San Diego, Ginsberg can be heard reading early drafts of his poem to his fellow writing associates. "Howl" is considered to be one of the great works of American literature. It came to be associated with the group of writers known as the Beat Generation.

There is no foundation to the myth that "Howl" was written as a performance piece and later published by poet Lawrence Ferlinghetti of City Lights Books. This myth was perpetrated by Ferlinghetti as part of the defense's case during the poem's obscenity trial. Upon the poem's release, Ferlinghetti and the bookstore's manager, Shigeyoshi Murao, were charged with disseminating obscene literature, and both were arrested. On October 3, 1957, Judge Clayton W. Horn ruled that the poem was not obscene.

Allen Ginsberg wrote drafts of the poem "Howl" in mid-1954 to 1955, purportedly at a coffeehouse known today as the Caffe Mediterraneum in Berkeley, California. Many factors went into the creation of the poem. A short time before the composition of "Howl", Ginsberg's therapist, Dr. Philip Hicks, encouraged him to quit his job and pursue poetry full-time. He experimented with a syntactic subversion of meaning called parataxis in the poem "Dream Record: June 8, 1955" about the death of Joan Vollmer, a technique that would become central in "Howl".

Ginsberg showed this poem to Kenneth Rexroth, who criticized it as too stilted and academic; Rexroth encouraged Ginsberg to free his voice and write from his heart. Ginsberg took this advice and attempted to write a poem with no restrictions. He was under the immense influence of William Carlos Williams and Jack Kerouac and attempted to speak with his own voice spontaneously. Ginsberg began the poem in the stepped triadic form he took from Williams but, in the middle of typing the poem, his style altered such that his own unique form (a long line based on breath organized by a fixed base) began to emerge.