Howard Athenaeum

The Howard Athenæum (1845-1953), also known as Old Howard Theatre, in Boston, Massachusetts, was one of the most famous theaters in Boston history. Founded in 1845, it remained an institution of culture and learning for most of its years, finally closing in 1953.

Of all the theaters founded in Boston, the Howard Athenæum was one of the most famous as well as the most lamented. Popular throughout New England, the theater was affectionately called "The Old Howard." Built in 1843 as a church by the Millerite sect, the flimsy tent-like structure housed a small but loyal congregation who eventually abandoned the site following disappointment with the minister's promise that the world would end in 1844. After Armageddon failed to materialize, the founder of the sect, William Miller, an ex-Deputy Sheriff from Poultney, Vermont, was discredited and the Millerites moved on. The temple was then rebuilt as a playhouse in 1845, only to burn to the ground a few months later. In 1846 a new structure was designed by Isaiah Rogers in a Gothic-like style that was unique among American theaters. The new building, made of Quincy granite and capable of seating 1,360 patrons, was rushed to completion with the aid of funds from a local brewery. It reopened October 5, 1846, at 34 Howard Street in Scollay Square, the area that is now occupied by Boston's Government Center.

For the first several decades of its existence, it successfully vied with the Boston Museum as that city's leading playhouse. While the Boston Museum relied heavily on its great stock company, the Howard became the home of leading touring actors. In an 1860 playbill, the Howard Athenaeum proudly announced that it hosted performances of "opera, tragedy, comedy, burlesque, vaudeville, minstrels, and magicians." Among the great names regularly appearing at the Howard were Edwin Booth, Charlotte Cushman and other stellar performers of that era, including a young John Wilkes Booth, who played Hamlet. The playhouse soon became famous for its opera productions: Verdi's Ernani, which had its American premier at the Howard in 1847, may have been Boston's first exposure to Italian bel canto opera. A program for the Ernani performance at the Howard is owned by the Boston Athenæum, which has a very small but interesting collection of programs from the Howard's early years dating from 1847 to 1848.

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