How to Kill Your Neighbor's Dog
| How To Kill Your Neighbor's Dog | |
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Release Poster
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| Directed by | Michael Kalesniko |
| Produced by | Michael Nozik, Nancy M. Ruff and Brad Weston |
| Written by | Michael Kalesniko |
| Starring |
Kenneth Branagh Robin Wright Penn and Jared Harris |
| Music by | David Robbins |
| Cinematography | Hubert Taczanowski |
| Edited by | Pamela Martin |
| Distributed by | Lonsdale Productions |
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Release date
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Running time
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107 minutes |
| Country | United States |
| Language | English |
| Budget | $7,300 |
| Box office | $48,564 |
How to Kill Your Neighbor's Dog is a 2000 American black comedy film written and directed by Michael Kalesniko and produced by Michael Nozik, Nancy M. Ruff and Brad Weston.
The film stars Kenneth Branagh as Peter McGowan, a chain-smoking, impotent, insomniac playwright who lives in Los Angeles. Once very successful, he is now in the tenth year of a decade-long string of production failures. His latest play is in the hands of effeminate director Brian Sellars (David Krumholtz), who is obsessed with Petula Clark; his wife Melanie (Robin Wright Penn) is determined to have a baby; he finds himself bonding with a new neighbor's lonely young daughter (Suzi Hofrichter) who has mild cerebral palsy; and during one of his middle-of-the-night strolls, he encounters his oddball doppelgänger (Jared Harris) who claims to be Peter McGowan and develops a friendship of sorts with him.
Petula Clark's recordings of "I Couldn't Live Without Your Love" and "A Groovy Kind of Love" were heard during the opening and closing credits respectively, and "Downtown 99", a disco remix of her 1964 classic "Downtown", was heard during a party scene. Additional songs originally recorded by Petula Clark were sung by the character of Brian Sellars throughout the film.
In his review in The New York Times, Stephen Holden described the film as "a Hollywood rarity, a movie about an icy grown-up heart-warmed by a child that doesn't wield emotional pliers to try to squeeze out tears…. It is a tribute to Mr. Branagh's considerable comic skills that he succeeds in making a potentially insufferable character likable by infusing him with the same sly charm that Michael Caine musters to seduce us into cozying up to his sleazier alter egos…. Mr. Kalesniko's satirically barbed screenplay, whose spirit harks back to the comic heyday of Blake Edwards, stirs up an insistent verbal energy that rarely flags."
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