Hortense Calisher
| Hortense Calisher | |
|---|---|
| Born |
December 20, 1911 New York City, New York, U.S. |
| Died | January 13, 2009 (aged 97) New York City, New York, U.S. |
| Pen name | Jack Fenno |
| Occupation | Novelist |
| Nationality | American |
| Period | 1951–2004 |
Hortense Calisher (December 20, 1911 – January 13, 2009) was an American writer of fiction and the second female president of the American Academy of Arts and Letters.
Born in New York City, and a graduate of Hunter College High School (1928) and Barnard College (1932), Calisher was the daughter of a young German Jewish immigrant mother and a somewhat older Jewish father from Virginia whose family she described as "volcanic to meditative to fruitfully dull and bound to produce someone interested in character, society, and time".
Calisher involved her closely investigated, penetrating characters in complicated plotlines that unfold with shocks and surprises in allusive, nuanced language with a distinctively elegiac voice, sometimes compared with Eudora Welty, Charles Dickens, Jane Austen, and Henry James. Critics generally considered Calisher a type of neo-realist and often both condemned and praised for her extensive explorations of characters and their social worlds. Her writing was at odds with the prevailing minimalism typical of fiction writing in the 1970s and 1980s that employed a spartan, non-romantic style without undue expressionism.
The New York Times opined that her "unpredictable turns of phrase, intellectually challenging fictional situations and complex plots captivated and puzzled readers for a half-century. Failure and isolation were themes that ran through her 23 novels and short-story collections: failure of love, marriage, communication, identity. She explored the isolation within families that cannot be avoided yet cannot be faced, isolation imposed by wounds inflicted even in the happiest of households, wounds that shape events for generations. But her peers seemed most intrigued by her distinctive way of telling a story, her filigreed sentences and bold stylistic excursions... Throughout her career as a novelist, opinion tended to split evenly among critics who found her prose style and approach to narrative better suited to short stories [and those who] were mesmerized by her idiosyncratic language and imaginative daring."
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