Horace Silver and the Jazz Messengers
| Horace Silver and the Jazz Messengers | |||||
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| Studio album by Horace Silver and the Jazz Messengers | |||||
| Released | October 1956 | ||||
| Recorded | November 13, 1954 (#1-3, 8) February 6, 1955 (#4-7) Van Gelder Studio, Hackensack |
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| Genre | Jazz, hard bop | ||||
| Length | 43:50 | ||||
| Label |
Blue Note BLP 1518 |
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| Producer | Alfred Lion | ||||
| Horace Silver chronology | |||||
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| Jazz Messengers chronology | |||||
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| Horace Silver Quintet | |
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| Studio album by Horace Silver | |
| Released | 1954 |
| Recorded | November 13, 1954 Van Gelder Studio, Hackensack |
| Label | Blue Note |
| Horace Silver Quintet, Vol. 2 | |
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| Studio album by Horace Silver | |
| Released | 1955 |
| Recorded | February 6, 1955 Van Gelder Studio, Hackensack |
| Label |
Blue Note BLP 5058 |
| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |  |
| The Rolling Stone Jazz Record Guide | |
Horace Silver and the Jazz Messengers is a 1956 studio album by jazz pianist Horace Silver with drummer Art Blakey and the Jazz Messengers. It was an important album in the establishment of the hard bop style, and was the first studio album released under the band name The Jazz Messengers, which Blakey would use for the rest of his career. Scott Yanow on Allmusic describes it as "a true classic". Originally released as an LP, the album has subsequently been reissued on CD several times.
Horace Silver and the Jazz Messengers was the first 12" Blue Note album released under Silver’s name. The album is a reissue of two previous 10" LPs -- Horace Silver Quintet (BLP 5058) and Horace Silver Quintet, Vol. 2 (BLP 5062) -- and the first sessions in which he used the quintet format which he would largely use for the rest of his career. The music on the album mixes bebop influences with blues and gospel feels.
One of the most successful tunes from the album, "The Preacher", was almost rejected for recording by producer Alfred Lion, who thought it was "too old-timey", but reinstated at the insistence of Blakey and Silver, who threatened to cancel the session until he had written another tune to record in its place if it wasn’t included. According to Silver, the track showed that the band could "reach way back and get that old time, gutbucket barroom feeling with just a taste of the back-beat".
All tracks written by Horace Silver except where noted..
(*) Originally released on 10" LP Horace Silver Quintet (BLP 5058)
(**) Originally released on 10" LP Horace Silver Quintet, Vol. 2 (BLP 5062)
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Wikipedia