"Honey" | ||||
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Single by Moby | ||||
from the album Play | ||||
B-side | "Micronesia", "Memory Gospel" | |||
Released | August 10, 1998 | |||
Format | CD, 12-inch | |||
Recorded | 1998 | |||
Genre | Breakbeat, blues | |||
Length | 3:27 (album version) 3:19 (radio edit) 3:12 (Remix Edit feat. Kelis) 6:19 (12" Mix feat. Kelis) |
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Label | Mute | |||
Writer(s) | Moby | |||
Producer(s) | Moby | |||
Moby singles chronology | ||||
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"Honey" is a song by American electronica musician Moby. It was released as the first single from his fifth studio album Play on August 31, 1998. The uptempo song incorporates vocal samples from "Sometimes" by American blues singer Bessie Jones, while its instrumentation is built around a repeating piano riff of the song Woman to Woman, performed by Joe Cocker. Moby discovered the "Sometimes" sample while listening to albums of folk music recordings compiled by field collector Alan Lomax. He subsequently composed "Honey", along with several other songs from Play, using the Lomax recordings.
"Honey" was generally well received by music critics, who praised the song's sampling of "Sometimes" and cited it as a highlight of Play. Upon release, it peaked at number thirty-three on the UK Singles Chart and also charted in several other countries, including Austria and Germany. The song's music video, directed by Roman Coppola, depicts three duplicates of Moby venturing through various locations. "Honey" was later remixed to feature vocals from American R&B singer Kelis.
Moby composed "Honey" for his fifth studio album Play after listening to a box set of folk music songs compiled by field collector Alan Lomax. He developed an interest in the a cappella songs recorded by Lomax and subsequently wrote "Honey" in "about 10 minutes." Lomax recordings were also used as the basis for several other songs from Play, including "Find My Baby" and "Natural Blues". After producing "Honey", Moby commissioned Brazilian record producer Mario Caldato, Jr. to carry out its mixing process; he had heard of Caldato from his work on American hip hop group Beastie Boys' 1998 album Hello Nasty, and later recounted: