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Holocene (song)

"Holocene"
Bon Iver - Holocene cover.jpg
Single by Bon Iver
from the album Bon Iver, Bon Iver
B-side "Come Talk to Me"
Released September 5, 2011 (2011-09-05)
Format 12-inch single
Genre Indie folk, baroque pop
Length 5:36
Label 4AD, Jagjaguwar
Writer(s) Justin Vernon
Bon Iver singles chronology
"Fall Creek Boys Choir"
(2011)
"Holocene"
(2011)
"Beth/Rest"
(2012)

"Holocene" is a song by American indie folk band Bon Iver. It was released as the second single from their eponymous album Bon Iver, Bon Iver on September 5, 2011. The single is backed with a cover of Peter Gabriel's song "Come Talk to Me" as a B-side, which was previously released as a limited edition song for Record Store Day. The song was named one of the best songs of 2011 by various music publications. It was nominated for Song of the Year and Record of the Year for the 54th Grammy Awards, and is featured in the Cameron Crowe film We Bought a Zoo,Zach Braff's film Wish I Was Here, and the 2014 film The Judge.

Front man Justin Vernon explained the song title in an interview with Mojo: "It's partly named after the (geological) era, but it's also the name of a bar in Portland where I had a dark night of the soul." He also stated that "the title is a metaphor for when you're not doing well. But it's also a song about redemption and realizing that you're worth something; that you're special and not special at the same time."

The music video directed by Nabil Elderkin was filmed in the region of Vik in Iceland with a Red Camera. It features a blonde Icelandic boy waking up and roaming around the island's volcanic landscape and glaciers, equipped with just a walking stick. Since the lyrics of "Holocene" describe the idea that the self is part of something greater, the music video highlights the expansive landscapes in contrast to the boy. The video was debuted on the National Geographic Channel. In January 2012, music video blog Yes, We've Got a Video! ranked it at number 10 in their top 30 videos of 2011, saying that the video "should serve as proof that the art of the music video is not dead."


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