Holman Hunt
| William Holman Hunt | |
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Self-portrait, 1867, Galleria degli Uffizi, Florence
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| Born |
2 April 1827 Cheapside, London, England, United Kingdom |
| Died | 7 September 1910 (aged 83) Kensington, London, England, United Kingdom |
| Nationality | English |
| Citizenship | British |
| Occupation | painter |
| Signature | |
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 Hunt's Claudio and Isabella, Smarthistory
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Hunt's The Awakening Conscience, Smarthistory
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William Holman Hunt OM (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid color, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximize the popular appeal and public visibility of his works.
William Holman Hunt changed his surname from "Hobman Hunt" to Holman Hunt when he discovered that a clerk had misspelled the name after his baptism at the Anglican church of Saint Mary the Virgin, Ewell, England. After eventually entering the Royal Academy art schools, having initially been rejected, Hunt rebelled against the influence of its founder Sir Joshua Reynolds. He formed the Pre-Raphaelite movement in 1848, after meeting the poet and artist Dante Gabriel Rossetti. Along with John Everett Millais they sought to revitalise art by emphasising the detailed observation of the natural world in a spirit of quasi-religious devotion to truth. This religious approach was influenced by the spiritual qualities of medieval art, in opposition to the alleged rationalism of the Renaissance embodied by Raphael. He had many pupils including Robert Braithwaite Martineau.
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