Hirabai Badodekar
| Hirabai Barodekar | |
|---|---|
| Birth name | Champākali |
| Born | 1905 Miraj, Bombay Presidency, British India |
| Died | 1980 |
| Genres | Khyal, Thumri, Ghazal, and Bhajan |
| Occupation(s) | Vocal Hindustani Classical Music |
| Years active | 1920–1980 |
Hirābai Barodekar (1905 – 1989) was an Indian Hindustāni classical music singer, of Kirana gharana. She was disciple of Ustād Abdul Wahid Khān.
Hirabai was born as Champākali to Kirānā Gharānā master Ustād Abdul Karim Khān and Tārābāi Māne. Tarabai was the daughter of Sardār Māruti Rāo Māne, a brother of princely Barodā state's "Rajmātā" during the middle of the 19th century. Abdul Karim Khan was the court musician in Baroda when Tarabai was young, and he taught her music. The two fell in love and decided to get married; but Tarabai's parents disapproved of the alliance, and the couple had to leave the state (along with Abdul Karim's brother, Ustād Abdul Haq Khān). The couple moved to Bombay (Mumbai), and had two sons: Suresh or Abdul Rehmān, and Krishnā; and three daughters: Champākali, Gulāb, and Sakinā or Chhotutāi. In their adult lives, the five respectively became known as Sureshbābu Māne, Krishnarāo Māne, Hirābāi Badodekar, Kamalābāi Badodekar, and Sarswatibāi Rāne.
She had her initial training from her brother Sureshbabu Mane and later training from the doyen of Kirana Gharana, Ustād Abdul Wahid Khān, who was a cousin of her father, Ustad Abdul Karim Khan. (In 1922, Hirabai's parents had parted company; thus Hirabai received only limited musical lessons from her father.)
She often performed along with her younger sister, Saraswati Rane.
Hirabai appeared in her first public performance under patronage of Kesarbai Kerkar at the age of 15.
She was an expert in Khyāl, Thumri, Marāthi Nātya Sangeet, and Bhajan. She is credited with having popularised Hindustāni Classical Music among the masses. She was truly pioneer of concerts by women artists in India. She the real pioneer and was the first female artist who introduced ticketed concerts in India. She was always amazingly popular on stages and her shows were jam-packed. A very fragile, honey voice, emotive factor, peaceful and exorbitant vocal clarity are her strengths. She was admired by the real class and those were mass. Her amazing rendition of 'Taar Sa' was very popular and became her hallmark. She made Kirana gharana more popular and rich.
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