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High Noon (film)

High Noon
High Noon poster.jpg
1952 theatrical poster
Directed by Fred Zinnemann
Produced by Stanley Kramer
Screenplay by Carl Foreman
Based on "The Tin Star"
by John W. Cunningham
Starring Gary Cooper
Thomas Mitchell
Lloyd Bridges
Katy Jurado
Grace Kelly
Otto Kruger
Lon Chaney Jr.
Harry Morgan
Eve McVeagh
Music by Dimitri Tiomkin
Cinematography Floyd Crosby
Edited by Elmo Williams
Harry W. Gerstad
Production
company
Stanley Kramer Productions
Distributed by United Artists
Release date
  • July 24, 1952 (1952-07-24)
Running time
85 minutes
Country United States
Language English
Budget $730,000
Box office $12 million

High Noon is a 1952 American Western film produced by Stanley Kramer from a screenplay by Carl Foreman, directed by Fred Zinnemann, and starring Gary Cooper. The plot, depicted in real time, centers around a town marshal, torn between his sense of duty and love for his new bride, who must face a gang of killers alone.

Though mired in controversy with political overtones at the time of its release, the film was nominated for seven Academy Awards, and won four (Actor, Editing, Music-Score, and Music-Song) as well as four Golden Globe Awards (Actor, Supporting Actress, Score, and Cinematography-Black and White). The award-winning score was written by Russian-born composer Dimitri Tiomkin.

High Noon was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant" in 1989, the NFR's first year of existence.

In Hadleyville, a small town in New Mexico Territory, Marshal Will Kane (Cooper), newly married to Amy Fowler (Grace Kelly), is preparing to retire. The happy couple is departing for a new life, raising a family and running a store in another town; but word arrives that Frank Miller (Ian MacDonald), a vicious outlaw who Kane sent to jail, has been released, and is arriving on the noon train. Miller's gang—his younger brother Ben (Sheb Wooley), Jack Colby (Lee Van Cleef), and Jim Pierce (Robert J. Wilke)—await his arrival at the train station; it is clear that Miller intends to exact revenge.


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