"Hey You" | |
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"Hey You" cover
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Song by Pink Floyd from the album The Wall | |
Published | Pink Floyd Music Publishers Ltd |
Released | 30 November 1979 (UK) 8 December 1979 (US) |
Recorded | April–November 1979 |
Genre | Progressive rock, hard rock |
Length | 4:40 |
Label |
Harvest (UK) Columbia (US) |
Writer(s) | Roger Waters |
Producer(s) | Bob Ezrin, David Gilmour, James Guthrie, Roger Waters |
"Hey You" is a song by Pink Floyd. It appears on The Wall album (1979). It starts the second disc of the double album. This song, along with "The Show Must Go On", was edited out of the film for fear on the part of the filmmakers that the film was running too long; however, a rough version is available as an extra on the 25th Anniversary Edition DVD.
The song starts off with an acoustic guitar, restrung in a fashion similar to Nashville tuning, but with the low E string replaced by a high E tuned two full octaves higher than normal. It plays arpeggios over E and D minor added ninth chords. The alternate stringing allows for adjacent pitches (such as the E, F♯, and G of the Em9 chord) to ring out separately on separate strings throughout the arpeggio. A fretless bass enters, also played by guitarist David Gilmour rather than usual bassist Roger Waters. Next to join in is the Fender Rhodes electric piano by Rick Wright, Gilmour's vocals, and overdubbed acoustic guitar and drums at the start of the second verse. In the middle is a guitar solo which is played over the album's leitmotif of the melody to "Another Brick in the Wall" (in E minor and A minor, rather than D minor). After the solo, Roger Waters sings the lead vocal for the rest of the song. The bridge is a chord sequence later heard on the album as "Bring the Boys Back Home", ending on an E minor chord, leading to a reprise of the instrumental introduction, augmented by prominent ARP Quadra riffs and a faintly audible sound of a drill. At this point, there is a piece of indecipherable whispering from the left channel. Drums and vocals then join in. At about 3:23 into the song, a sonar-like sound, similar to the ping in "Echoes", is heard. When Waters sings the final verse, he does so one octave higher than Gilmour, with the highest note being the first C above middle C.