Hex; Or Printing in the Infernal Method
| Hex; Or Printing in the Infernal Method | ||||
|---|---|---|---|---|
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| Studio album by Earth | ||||
| Released | October 23, 2005 | |||
| Recorded | March–May 2005 | |||
| Genre | Drone doom, experimental music, post-metal | |||
| Length |
46:29 61:35 (vinyl version) |
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| Label | Southern Lord (SUNN48) | |||
| Producer | Randall Dunn | |||
| Earth chronology | ||||
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| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |    |
| Chronicles of Chaos | 9.5/10 |
| Exclaim! | favorable |
| Pitchfork | 8.2/10 |
Hex; Or Printing in the Infernal Method is the fourth full-length studio album by the drone doom band Earth.
Marking a new direction the band would follow in years to come, Hex stands in stark contrast to Earth's previous works. While retaining the extremely heavy doom/drone metal song structure of epic riffs over simple repetitive drum beats, the guitar was inflected with country influences that favored a cleaner reverb-heavy tone layered with acoustic instruments over the band's previous predilection for distortion. The press release cited diverse influences such as Ennio Morricone, Billy Gibbons, Neil Young's soundtrack to the movie Dead Man, country musicians Duane Eddy, Merle Haggard, and Roy Buchanan. Carlson indicated that he viewed this shift as part of a continuum rather than a categorical change in direction:
I view music as a continuum and there're different faces that it takes. This is not a genre record. I don't do genre. I've always listened to that music, it's the main thing I'm listening to now. You know, they're the guitar players I admire and they also have, for example, the banjo rolls, going back to the open string, the drone...Basically with all the music I like, the drone is always present. Someone might look at my records and say it's schizophrenic, but there's always that element I hear. Maybe it's delusional, but it makes sense to me, I guess. It's like the Hindu gods where they have all these different incarnations but it's still the same force behind it.
The album was influenced by Cormac McCarthy, particularly his novel Blood Meridian. Every song title on the album is named after a phrase found in the text of the novel. Carlson commented that:
That's the one [Blood Meridian] that's the most violent or occult, but all of his books deal with that theme of the West and the frontier and its violence and effects. It's more about capturing that sense of place. As someone born in America, I definitely consider myself a product of the frontier and the history of it has influenced me. This whole vast continent and these "peoples": "Indians", the white man, they were all forced to deal with this place, an environment that was harsh and demanding and it forced people to react to it in a certain way. Like the "hex" sign itself - the Mennonites are normally super God-fearing people, but when they came to American they had to invent these signs to keep evil spirits away. There's this need to protect themselves from this entity that inhabits the landscape...everything was violent and hard, everyone was violent.
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Wikipedia