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Here Comes Your Man

"Here Comes Your Man"
Pixies herecomesyourman .jpg
Single by Pixies
from the album Doolittle
B-side "Wave of Mutilation" (UK Surf version)
"Into the White"
"Bailey's Walk"
Released June 1, 1989
Format 7", CD
Recorded October 31 – November 23, 1988 at Downtown Recorders in Boston; Carriage House Studios in Stamford, Connecticut
Genre indie rock, pop rock
Length 3:21
Label 4AD, Elektra
Songwriter(s) Black Francis
Producer(s) Gil Norton
Pixies singles chronology
"Monkey Gone to Heaven"
(1989)
"Here Comes Your Man"
(1989)
"Velouria"
(1990)
"Monkey Gone to Heaven"
(1989)
"Here Comes Your Man"
(1989)
"Velouria"
(1990)

"Here Comes Your Man" is a song by the American alternative rock band Pixies, written and sung by the band's frontman Black Francis. Produced by Gil Norton, it was released as the second single from the group's second album Doolittle in June 1989.

Written by Black Francis as a teenager, "Here Comes Your Man" was recorded for the band's 1987 demo tape, but not included on either Come On Pilgrim or Surfer Rosa, as the songwriter was reluctant about releasing the song. Critics saw "Here Comes Your Man" as the Pixies' breakthrough song; Jon Dolan of Spin magazine commented that it was "the most accessible song ever by an underground-type band." The song reached number three on the U.S. Billboard Modern Rock Tracks chart.

Black Francis recalled that he wrote "Here Comes Your Man" around the time he was age 14 or 15. Years later after the Pixies were formed, producer Paul Kolderie noted the group didn't want to record "Here Comes Your Man" for its demo "The Purple Tape". The group referred to it as "the Tom Petty song", according to Kolderie. Producer Gary Smith said, "There was some reluctance to do 'Here Comes Your Man' because it was too pop, there was something too straight about it." When 4AD label head Ivo Watts-Russell handpicked the track listing for the group's debut release Come on Pilgrim, he intentionally left out "Here Comes Your Man". Watts-Russell stated that he liked the song, but "it felt just too obviously commercial and I didn't know what we were doing with [the band]". Watts-Russell also felt it was too reminiscent of Mink DeVille's "Spanish Stroll". For a post-Surfer Rosa single, 4AD rejected another recording of the song; they later chose "Gigantic", with "River Euphrates" on the B-side.


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