Henry VIII is an opera in four acts by Camille Saint-Saëns, from a libretto by Léonce Détroyat and Armand Silvestre, based on El cisma en Inglaterra (The schism in England) by Pedro Calderón de la Barca.
The action covers the period in Henry VIII's life when the king was discarding Queen Catherine of Aragon in favour of Anne Boleyn, a move rejected by the Church.
In an effort to evoke the historical context, Saint-Saëns researched English music from the period and incorporated several English, Scottish, and Irish folk melodies into his score, as well as an air by William Byrd, contained in the Fitzwilliam Virginal Book.
Henry VIII received its first performance on 5 March 1883 at the Académie Nationale de Musique, with costumes designed by Eugène Lacoste and settings by Antoine Lavastre and Eugène Louis Carpezat (Act I), Jean-Baptiste Lavastre (Act II and Act IV, scene 2), and Auguste-Alfred Rubé and Philippe Chaperon (Act III and Act IV, scene 1). A new production directed by Paul Stuart premiered on 18 June 1909, with costumes by Charles Bianchini and sets by Carpezat, Marcel Jambon and Alexandre Bailly. Henry VIII remained in the repertoire of the Opéra until 1919. It was also seen at the Royal Opera House, London in 1889 with Maurice Renaud in the title role, Lina Pacary as Catherine d'Aragon, and Meyriane Héglon as Anne Boleyn. It was revived in 1991 at the Théatre Impérial de Compiègne in a production by Pierre Jourdan, with Philippe Rouillon as Henry VIII, Michèle Command as Catherine of Aragon and Lucile Vignon as Anne Boleyn. The production was made into a film.