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Helix (newspaper)

Helix
Helix-butterfly3.jpg
December 1, 1967 issue (vol.2, #6)
Type Biweekly newspaper
Format Tabloid
Editor Paul Dorpat, Walt Crowley
Founded 1967
Ceased publication 1970
Headquarters Seattle, WA
Circulation 15,000

The Helix was founded in 1967 after a series of organizational meetings held at the Free University of Seattle involving a large and eclectic group including Paul Dorpat, Tom Robbins, Lorenzo Milam and others from KRAB-FM, John Ullman of the Seattle Folklore Society, Unitarian minister Paul Sawyer, and many others. A member of both the Underground Press Syndicate and the Liberation News Service, it published a total of 125 issues (sometimes as a weekly, sometimes as a biweekly) before folding on June 11, 1970.

The first issue was produced by Paul Dorpat with $200 in borrowed capital, out of a rented storefront on Roosevelt Way NE. After being turned down by the first printers they approached, they found a printer in Ken Monson, communications director of the International Association of Machinists local, who had recently acquired a printing press. 1500 copies were printed of the first issue. By the fourth biweekly issue sales had reached 11,000 copies. After the first two issues a "split-font" rainbow effect was sometimes used to print psychedelically colorful front covers; issues averaged 24 pages, with illustrations and graphics clipped from old magazines and having little to do with the adjoining copy crammed into the interior pages.

In September 1967 Helix was evicted from the office on Roosevelt Way. On October 15 they opened their new office at 3128 Harvard E., where thery were to remain for the rest of the paper's existence.

Contents of the paper were a New Left/hippie mélange of underground politics, psychedelic graphics, drug culture, bulletins from the Liberation News Service, and rock music reviews, with much coverage of rock festivals in the Pacific Northwest including the Sky River Festivals and concerts at Eagles Auditorium. Frequent contributors included Tom Robbins, while Walt Crowley was responsible for much of the paper's freewheeling design. The Blue Moon Tavern and the Last Exit on Brooklyn coffee house functioned as the paper's unofficial hangouts. In 1970 Robert Glessing reported that although the paper did not pay salaries it was providing food and housing for 11 full-time staffers.


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