Heligoland | ||||
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Studio album by Massive Attack | ||||
Released | 8 February 2010 | |||
Recorded | 2005–2009 | |||
Genre | Electronica, trip hop, alternative dance | |||
Length | 52:31 | |||
Label | Virgin | |||
Producer | Neil Davidge & Robert Del Naja | |||
Massive Attack chronology | ||||
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Singles from Heligoland | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 72/100 |
Review scores | |
Source | Rating |
Allmusic | |
Drowned in Sound | 6/10 |
The Guardian | |
Los Angeles Times | |
NME | 6/10 |
Pitchfork Media | 5.0/10 |
Rock Sound | 8/10 |
The Skinny | 4/5 |
Spin | |
Uncut |
Heligoland is the fifth regular studio album from the collaborative British music production duo Massive Attack, named after a German archipelago. It was released 8 February 2010 (9 February 2010 in US and Canada) – seven years after the release of their previous non-soundtrack, standalone studio album, 100th Window. It has been certified Gold in the United Kingdom.
The record features the singing of Horace Andy plus invited vocalists: Tunde Adebimpe of TV on the Radio, Damon Albarn of Blur and Gorillaz, Hope Sandoval of Hope Sandoval and the Warm Inventions and Mazzy Star, Guy Garvey of Elbow and Martina Topley-Bird, as well as guitar playing by Adrian Utley of Portishead (on "Saturday Come Slow"), keys from Portishead collaborator John Baggott (most notably on "Atlas Air"), keys and synth bass from Damon Albarn ("Splitting the Atom" and "Flat of the Blade" respectively), guitar (various tracks) and bass ("Girl I Love You") by Neil Davidge and bass by Billy Fuller of Beak on various tracks.
The record features drumming from the late Jerry Fuchs and regular session and touring drummer Damon Reece. Dan Brown and Stew Jackson (Robot Club) co-wrote "Paradise Circus", played guitar on and co-wrote "Saturday Come Slow", and part-programmed and engineered those tracks. Tim Goldsworthy contributed additional production (specific tracks unstated). Most tracks were mixed with Mark "Spike" Stent and then all were mastered with Tim Young at Metropolis Studios, as with previous records. Unlike previous records, there are no personal acknowledgements on the inlay. Neil Davidge co-produced all tracks with Robert Del Naja only (except tracks 3, 7 and 9 where Grant Marshall was also involved), though Marshall has a co-write credit on every track. The album is dedicated to the memory of Blue Lines co-producer, Jonny Dollar.