The Heidelberg School was an Australian art movement of the late 19th century. The movement has latterly been described as Australian Impressionism.
Melbourne art critic Sidney Dickinson coined the term in a July 1891 review of works by Arthur Streeton and Walter Withers. He noted that these and other local artists, who painted en plein air in Heidelberg on the city's outskirts, could be considered members of the "Heidelberg School". The term has since evolved to cover painters who worked together at "artists' camps" around Melbourne and Sydney in the 1880s and 1890s. Along with Streeton and Withers, Tom Roberts, Charles Conder and Frederick McCubbin are considered key figures of the movement. Drawing on naturalist and impressionist ideas, they sought to capture Australian life, the bush, and the harsh sunlight that typifies the country.
The works of these artists are notable, not only for their merits as compositions, but as part of Australia's cultural heritage. The period leading up to Federation is the setting for many classic stories of Australian folklore, made famous in the works of bush poets associated with the Bulletin School, such as Henry Lawson and Banjo Paterson. The Heidelberg School's work provides a visual complement to these tales and their images have become icons of Australian art. Many of their most significant works are held in Australia's major public galleries, including the National Gallery of Australia, the National Gallery of Victoria and the Art Gallery of New South Wales.