Hatfields & McCoys | |
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History
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Genre | Docudrama |
Screenplay by |
Ted Mann Ronald Parker |
Story by |
Bill Kerby Ted Mann |
Directed by | Kevin Reynolds |
Starring |
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Theme music composer |
John Debney Tony Morales |
Country of origin | United States |
Original language(s) | English |
No. of episodes | 3 |
Production | |
Producer(s) |
Kevin Costner Darrell Fetty Herb Nanas |
Cinematography | Arthur Reinhart |
Editor(s) | Don Cassidy |
Running time | 290 minutes |
Production company(s) |
History ThinkFactory Media Sony Pictures Television |
Release | |
Original network | History |
Original release | May 28 | – May 30, 2012
External links | |
Website |
Hatfields & McCoys is a 2012 American three-part television miniseries based on the Hatfield–McCoy feud produced by History channel. Each episode aired for two hours on May 28, 29, and 30, 2012.
The miniseries was History's first aired scripted drama (the network had previously produced a scripted miniseries in 2011, The Kennedys, but decided against airing it in the US).
Although the story is set in the Appalachians in West Virginia and Kentucky, the miniseries was shot in Romania, just outside Brașov with the Carpathians standing in for the Appalachians.
The score for the series was composed by John Debney and Tony Morales, with additional music by Kevin Costner and Modern West. The soundtrack features vocals performed by Lisbeth Scott on The Long Road Down.
The miniseries met with favorable reviews from US critics. Based on 20 reviews from mainstream critics, it received an average score of 68/100 at Metacritic, indicating "generally favorable reviews". Linda Stasi of the New York Post commented: "When I first heard about it, my thought was: Why? But that was before I sat through all six hours of this intense saga. Most miniseries this long tend to lose steam somewhere between the beginning of Night 1 and the middle of Night 2. Not this one...The miniseries is full of stand-out performances from great actors... But it's the guys you may not know who will blow you away."Entertainment Weekly's Ken Tucker gave the series a B+, stating: "In stretching the tale over three nights, the pacing sags at times, and recriminations can get repetitive. It also doesn't help that Reynolds shot the miniseries in that perpetual sepia tone that gives everything a faux-antique look. But overall, Hatfields & McCoys is engrossing, and enlightening about a feud that proves to be a lot more than the bumpkin brawl of pop legend." Mary McNamara of the Los Angeles Times stated: "Although deftly nailed into its time and place with sets and costumes so vivid you can smell the blue wood smoke and the stink of moonshine sweat, Hatfields & McCoys transcends the confines of its age by revealing the feud's posturing, resentments and callous violence that mirror the dynamics of modern urban gangs... It isn't a perfect piece — when faced with a choice between historic detail and story, Hatfields & McCoys errs on the side of detail, which is both the series' greatest strength and weakness."