Hassard Short

Hassard Short
Hassard Short in 1907
Born	(1877-10-15)15 October 1877 Edlington, Lincolnshire, UK
Died	9 October 1956(1956-10-09) (aged 78) Nice, France
Occupation	Stage director, set designer, lighting designer, actor
Years active	1895–1953
Partner(s)	Billy Ladd

Hubert Edward Hassard Short (1877–1956), usually known as Hassard Short, was an actor, stage director, set designer and lighting designer in musical theatre who directed over 50 Broadway and West End shows between 1920 and 1953. Theatre historian Ken Bloom called him "one of Broadway's greatest directors and lighting designers", while theatre writer John Kenrick described him as a "groundbreaking director and choreographer".

After 25 years acting on stage and in films, Short turned to directing and designing in 1920. He made many innovations in stage lighting and design, including the first permanent lighting bridge (Music Box Revue, 1921) and first the use of a revolving stage in a Broadway musical (The Band Wagon, 1931). He continued to direct until 1952.

Short was born in Edlington, Lincolnshire into the English landed gentry, the elder son of Edward Hassard Short and Geraldine Rachel Blagrave. He left school aged fifteen to seek a career on the stage. He made his first acting appearance in London in 1895 before being brought to New York City by producer Charles Frohman in 1901, where he continued to appear on stage until 1919. He also acted in five silent films between 1917 and 1921, the last being Woman's Place.

Short's first experience of directing was the 1908 hit Broadway play The Man from Home. Alongside his acting work, he directed The Lambs Club Gambols, annual benefit productions, from 1911 to 1913. During the 1919 Actors' Equity Association strike he staged a series of four all-star fundraising shows, which were so well received that he decided his future lay in directing and stagecraft; a small advertisement in The New York Times in July 1920 announced "his intention of becoming a vaudeville impresario on a large scale", as well as his appointment by producer Joseph Weber as director of the operetta Honeydew. In this production an electrician operated overhead spotlights above the stage from a bosun's chair, the first of Short's many innovations in stage lighting.