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Harry Watkins (actor)


Harry Watkins (January 14, 1825 – February 5, 1894) was an American actor, theatre manager and playwright, whose career spanned the latter half of the nineteenth century. He is best remembered for his diary, kept from 1845 to 1860, which is considered a rare source of firsthand information about the theater during the antebellum period.

Watkins was born in New York. He began his acting career in 1845 and, although he was constantly employed as an actor for nearly five decades, he never achieved widespread fame. On February 5, 1854, Watkins married Harriet M. Secor with whom he had two children. It is not yet known what became of Harriet and their children, but in 1860, Watkins married English-born actress and singer Rosina Shaw (widow of Charles Howard), who used the stage names Rose Howard and Rose Shaw. Watkins became manager of P. T. Barnum's American Museum's theatrical enterprises in 1857, where he wrote, presented, and acted in, among other things, The Pioneer Patriot. He and his wife, Rose, performed in England from 1860 to 1863. He was described by the British press as "decidedly one of the best delineators of Negro character", but in general his wife had more success in England.

Watkins played such roles as Edward Middleton in The Drunkard, Wool in his own adaptation of The Hidden Hand, and Titus in Brutus by John Howard Payne. He was the author of more than 25 plays by 1889. He was also actively engaged in politics, often expressing his views in his diary as well as in bulletins, such as How Shall I Vote? (1885), and in his book His Worst Enemy: Photographed from Life In New York (1889).

Watkins is fictionalized in the Martin Scorsese film Gangs of New York, in a scene where The Five Points Mission presents a dramatization of Harriet Beecher Stowe's Uncle Tom's Cabin. Barnum had presented H. J. Conway's popular version of Uncle Tom's Cabin at the American Museum in the 1850s, which varied from the novel especially in ending happily.

Watkins' diary, which he kept during the first fifteen years of his acting career (November 20, 1845 – 1860), is a rare source of firsthand information about the theater during the antebellum period. It "is the only known diary of its size and scope written by an American actor during the decade prior to the Civil War".


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