Harry Blackstone, Sr.

Harry Blackstone Sr.
Harry Blackstone in a 1944 advertisement
Born	Henry Boughton (later changed to Harry Bouton) (1885-09-27)September 27, 1885 Chicago, Illinois, U.S.
Died	November 16, 1965(1965-11-16) (aged 80) Hollywood, California, U.S.
Occupation	Magician
Children	Harry Blackstone Jr.

Harry Blackstone (September 27, 1885 – November 16, 1965) was a famed stage magician and illusionist of the 20th century. Blackstone was born Harry Bouton in Chicago, Illinois, he began his career as a magician in his teens and was popular through World War II as a USO entertainer. He was often billed as The Great Blackstone. His son Harry Blackstone Jr. also became a famous magician. Blackstone Sr. was aided by his younger brother (2 years younger) Pete Bouton who was the stage manager in all his shows. Blackstone Sr. was married three times. Blackstone Jr. was his son by his second wife.

Blackstone was in the model of courtly, elegant predecessor magicians like Howard Thurston and Harry Kellar, and the last of that breed in America. He customarily wore white tie and tails when performing, and he traveled with large illusions and a sizable cast of uniformed male and female assistants. For a number of years he toured in the Midwest, often performing throughout the day between film showings.

Blackstone remained silent during much of his big stage show, which was presented to the accompaniment of a pit orchestra and such lively tunes of the time as "Who", "I Know That You Know", and "Chinatown."

Among his especially effective illusions was one in which a woman lay on a couch uncovered unlike the versions others performed in the day. It was called the Kellar Levitation which Blackstone called "The Dream of Princess Karnac". In another illusion, a woman stepped into a cabinet in front of many bright, clear, tubular incandescent light bulbs. When the magician suddenly pushed the perforated front of the cabinet backward the light bulbs protruded through the holes in the front of the box (to the accompaniment of the lady's blood-curdling scream). The cabinet was then revolved so that the audience seemed to see the lady impaled by the blinding filaments.

His "Sawing a woman in half" involved an electric circular saw some three to four feet in diameter mounted in an open frame. Blackstone's version differed from others in that the lady lay on a table that was pulled by a motor through the saw blade. Blackstone demonstrated the efficacy of the device by sawing noisily through a piece of lumber. Then a female assistant was placed on the saw table in full view, as wide metal restraints were clamped upon her midsection. The blade whirred and appeared to pass through her body, as ripping sounds were heard, the woman shrieked, and particles were scattered by the whirring blade. When the blade stopped she, of course, rose unharmed.