Harold Rosenthal

Harold Rosenthal
Born	Harold David Rosenthal
Alma mater	University College London
Occupation	Music critic, writer

Harold David Rosenthal OBE (30 September 1917 – 19 March 1987) was an English music critic, writer, lecturer, and broadcaster about opera. Originally a schoolmaster, he became drawn to music, particularly opera, and began working on musical publications. On the foundation of Opera magazine in London in 1950, Rosenthal was assistant editor, and became editor in 1953, retaining the post until 1986.

He was a continual campaigner on behalf of opera, and was a strong opponent of its élitist image and inflated seat prices. In the early 1950s he was appointed archivist to the Royal Opera House, Covent Garden, which led to his most substantial publication, Two Centuries of Opera at Covent Garden.

Rosenthal was born in West Norwood, London, the son of Israel Victor Rosenthal, a schoolmaster, and his wife, Leah née Samuel. He was educated at the City of London School and University College, London, where he took his BA in 1940, continuing with post-graduate studies at the London Institute of Education. In World War II he served as a private in the British army. In 1944 he married Lillah Phyllis Weiner with whom he had a son and a daughter.

After the war, Rosenthal became a schoolmaster, teaching history and English from 1946 to 1950. He became increasingly interested in music, appearing frequently as a critic and lecturer, particularly on opera. From 1947 to 1952 he was a correspondent for the American journal Opera News. A fellow enthusiast for opera, Lord Harewood, worked with him on the journal Ballet and Opera in 1948 and 1949. In 1950 Harewood founded the magazine Opera and invited Rosenthal to join him as assistant editor. Rosenthal resigned from his teaching post and devoted himself to music for the rest of his life. When Harewood left to take up work in opera administration, Rosenthal succeeded him as editor, holding the post from 1953 until 1986. In the early years of his editorship he was also archivist to the Royal Opera House (1950–56) which led to his most substantial book, Two Centuries of Opera at Covent Garden (1958). From 1955 to 1960 he was a correspondent for the journal Musical America.

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