Hadon of Ancient Opar
Cover illustration of Hadon of Ancient Opar
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| Author | Philip José Farmer |
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| Cover artist | Roy Krenkel |
| Country | United States |
| Language | English |
| Series | Opar series |
| Genre | Fantasy |
| Publisher | DAW Books |
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Publication date
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1974 |
| Media type | Print (Paperback) |
| Pages | 224 pp. |
| Followed by | Flight to Opar |
Hadon of Ancient Opar is a fantasy novel by American writer Philip José Farmer, first published in paperback by DAW Books in April 1974, and reprinted three times through 1983. The first trade paperback edition was published by Titan Books in 2013. The first British edition was published by Magnum in 1977; it was reprinted by Methuen in 1993. The work has also been translated into French. It was later gathered together with its sequels Flight to Opar and The Song of Kwasin into the omnibus collection Gods of Opar: Tales of Lost Khokarsa (2012). It and its sequels purport to fill in some of the ancient prehistory of the lost city of Opar, created by Edgar Rice Burroughs as a setting for his Tarzan series.
In the plot of the novel, Hadon journeys to Khokarsa to compete in the "Great Games", in which he triumphs. The prize being that he is entitled to marry the ruling high priestess, should she choose to accept him, and thus become high priest and king of the Khokarsa. However, King Minruth is unwilling to relinquish power and schemes to be rid of Hadon.
The novel deals with the expedition of Hadon, a young Oparian warrior, to the Wild Lands and as far as the mysterious Ringing Sea, which would one day be called the Mediterranean, with the strange woman whom he meets and brings with him, and with the cataclysmic civil war which breaks out on his return and which he partly (and completely unintentionally) helps touch off.
The ancient Khokarsan society of which Opar is a part is a matriarchy (a reasonable inference from the culture of the later-day Opar encountered by Tarzan). A delicate balance between the genders is maintained, symbolized by the co-rule of the high priestess and the king (whose main authority is command of the army), which corresponds to some theories of sociologists and historians on the way actual matriarchal societies may have worked. The same scheme is repeated on a smaller scale on the local level, where towns are co-governed by a local priestess and the commander of the local garrison.
The current king, Minruth, tries to subvert this immemorial system and establish exclusive male power, which incidentally would force an incestuous relationship upon the current high priestess, Awineth, who happens to be his daughter. Lalila, the foreign "White Witch from the Sea," whom Hadon brings with him and with whom he falls in love, is used as a pawn in King Minruth's power game; the xenophobic suspicions aroused about her are used in an attempt to undermine the position of women in general.
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