Hack writer

Hack writer is a colloquial and usually pejorative term used to refer to a writer who is paid to write low-quality, rushed articles or books "to order", often with a short deadline. In a fiction-writing context, the term is used to describe writers who are paid to churn out sensational, lower-quality "pulp" fiction such as "true crime" novels or "bodice ripping" paperbacks. In journalism, the term is used to describe a writer who is deemed to operate as a "mercenary" or "pen for hire", expressing their client's political opinions in pamphlets or newspaper articles. Hack writers are usually paid by the number of words in their book or article; as a result, hack writing has a reputation for quantity taking precedence over quality.

The term "hack writer" was first used in the 18th century, "when publishing was establishing itself as a business employing writers who could produce to order." The derivation of the term "hack" was a "shortening of hackney, which described a horse that was easy to ride and available for hire." In 1728, Alexander Pope wrote The Dunciad, which was a satire of "the Grub-street Race" of commercial writers who worked in Grub Street, a London district that was home to a bohemian counterculture of impoverished writers and poets. In the late 19th century, Anthony Trollope's novel The Way We Live Now (1875) depicts a female hack writer whose career was built on social connections rather than writing skill.

Many authors who would later become famous worked as low-paid hack writers early in their careers, or during a downturn in their fortunes. As a young man, Anton Chekhov had to support his family by writing short newspaper articles; Arthur Koestler penned a dubious Dictionary of Sexuality for the popular press; Samuel Beckett translated for the French Reader's Digest; and William Faulkner churned out Hollywood scripts.

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