Hacienda Brothers

Hacienda Brothers
Dave Gonzalez of Hacienda Brothers - Live in Concert
Background information
Genres	Americana, alt-country, country rock, rockabilly, Bakersfield sound revival, blues, country soul
Years active	2002 - present
Associated acts	The Paladins
Website	www.haciendabrothers.com
Members	Chris Gaffney Dave Gonzalez Dave Berzansky Dale Daniel Hank Maninger

The Hacienda Brothers is an American alternative country band composed of Chris Gaffney, Dave Gonzalez, Dave Berzansky, Dale Daniel, and Hank Maninger. They have been described as "the finest country rock band since the Flying Burrito Brothers in their prime," and were called "the best country band of the decade." Their music blends soul, blues, rockabilly, country, Tex-Mex and rock and roll. They themselves call it "western Soul." The band was hailed as making a "groundbreaking blend of country, rock, blues and accordion-anchored Americana" and by the time founder Chris Gaffney died in 2008 had made three studio albums and one live album.

The Hacienda Brothers began in 2002 when friends Chris Gaffney and Dave Gonzalez played together during a planned jam session at the 40th birthday party of their mutual friend Jeb Schoonover. Gaffney was a successful singer and songwriter who had released several albums with the band the Cold Hard Facts and had toured with Dave Alvin. Gonzalez is a singer, songwriter, and guitar player, then mainly active with The Paladins. After playing on stage together, and at the urging of Schoonover (who would become their business partner and manager), they soon joined in Tucson, Arizona, to write and record their first album.

Calling themselves the Hacienda Brothers, they were joined by Dave Berzansky (pedal steel), Hank Maninger (bass, also with the Aqua Velvets), and Dale Daniel (drums). Their self-titled debut (2005) was produced by the legendary Dan Penn, who also wrote two tracks. The album was praised widely; Vintage Guitar called it "a great CD."What's Wrong with Right, also produced by Penn, was released the following year and garnered critical accolades. Bob Mehr, writing for Mojo Magazine, praised its "authentic sawdust-floor shuffles" and "cinematic Morricone twang."