"Gypsies in the Palace" | ||||
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Cover of the American 7 " single
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Single by Jimmy Buffett | ||||
from the album Last Mango in Paris | ||||
A-side | "Gypsies in the Palace" | |||
B-side | "Jolly Mon Sing" | |||
Released | 1985 | |||
Recorded | 1985 | |||
Genre | Country, Gulf and Western | |||
Length | 5:07 | |||
Label | MCA | |||
Songwriter(s) | Jimmy Buffett, Glenn Frey, Will Jennings | |||
Producer(s) | Tony Brown, Jimmy Buffett | |||
Jimmy Buffett singles chronology | ||||
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"Gypsies in the Palace" is a song written and performed by American popular music singer-songwriter Jimmy Buffett. It was first released on his 1985 album Last Mango in Paris and was his first of three charting singles off that album. This song charted #56 on US Country.
The song concerns an apparently professional entertainer who leaves his home in the care of the unnamed narrator and another man nicknamed "Snake" while he goes to perform elsewhere.
Once the homeowner leaves, the two men notice all the food and liquor he has and decide that it will go to waste if it's not consumed. They shoot the lock off his liquor cabinet and invite numerous people to his house to party: have naked conga lines, throw people into his swimming pool, and partake in his commodities.
When the homeowner calls the house and reports that he's returning early, the two rush everyone out and clean up the mess left during the party. When the homeowner returns, the two men point out all the work they've done around his house in his absence, then offer to watch the house again if the opportunity arises again.
When performing the song in concert, Buffett calls it "The scariest song you'll hear tonight." Its performance is often preceded by a pre-recorded voice intoning:
To which Buffett adds "And some things never change. Hit it, boys!"
Jimmy Buffett stated when he appeared on Jerry Jeff Walker's television show, that the song was based on true-life experience.
When released as a single, the song was trimmed for radio, excluding the dialogue introduction and other corners of the song for pacing purposes.