Guillaume-Antoine Calvière | |
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Organist, Cathedral of Notre Dame | |
In office 1730–1755 |
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Preceded by | Médéric Corneille |
Succeeded by | Armand-Louis Couperin |
Personal details | |
Born | 1685 |
Died | 1755 |
Citizenship | French |
Profession | Organist |
Guillaume-Antoine Calvière (1695-April 18, 1755) was a virtuoso French musician who was for many years organist of the Cathedral of Notre Dame de Paris.
Guillaume-Antoine Calvière was born in Paris around 1695, the son of Rodolphe Calvière and Jeanne Boundin. He was a pupil of Philippe Isoré de La Fontaine, who spent his whole career until his death in 1733 as organist of Saint-Denis. Calvière was gifted and precocious, and made his first public performance at the age of eleven. Calvière's younger sister Cécile Louise Calvière, born in 1703, was also an organist.
Calvière became organist of Saint-Germain-des-Prés in 1722, and in 1730 succeeded Maderic Corneille as organist at Notre Dame. He became a national celebrity, and the Mercure published verses in his praise. He held the prestigious posts of organist of the Cathedral of Notre-Dame de Paris from 1730 until his death 1755, and of the Royal Chapel from 1738. Calvière was appointed organist of Sainte-Chapelle in succession to Pierre Février, holding this position from 1739 until his death. He was also organist at Sainte-Marguerite. For six months in 1754 he trained Jean-Baptiste Nôtre, who then became organist of the Toul Cathedral for more than half a century.
Calvière was an admirer of François Couperin. His work included motets and pieces for organ. His Te Deum mimicked the sounds of wind and thunder. But apart from a short piece preserved in the library of the Brussels Conservatory, almost nothing has survived. After his death his widow gave his manuscripts to Louis-Claude Daquin for editing and publication. Daquin, his friend, colleague and also rival, neglected to do so. In fairness, Daquin failed to publish many of his own works.
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