Guido Görres

Guido Görres (28 May 1805 – 14 July 1852) was a German Catholic historian, publicist and poet.

Born in Koblenz, he was the son of Joseph Görres, and made his early classical studies in his native town. During his father's banishment he went to Aarau and Strasburg to pursue his education. Reaching the University of Bonn in 1824, he devoted himself chiefly to the study of philology and history.

In Munich he continued his linguistic studies, and in 1830 received a prize from the French Academy. In the meantime (1827) his father had received a call as professor of history to Munich and Guido, influenced by his father's lectures, took up history as his chief study. The fruit of these studies where "Nikolaus von der Flüe" (Ratisbon, 1831) and "Die Jungfrau von Orleans" (Ratisbon, 1834; 3rd ed., 1895). Jointly with Count Franz Pocci, he published from 1834-39 an illustrated serial on the festivals of the Church, the "Festkalender in Bildern und Liedern", the first illustrated magazine for the young in German. Still carrying on his historical work, he made a great tour of Investigation through France in search of further material relating to the Maid of Orléans.

But before long his work took a different direction. He edited from 1838 the "Historisch-politische Blätter", a publication established to maintain the defense of the rights of the Catholic Church and to champion the Interests of German Catholics. Guido Görres took charge of the editorial management with George Phillips, and continued at this post until his death.

The writings published by him on this review were numerous and on various topics. At the same time his talents as a poet found expression in many beautiful compositions. He became one of the foremost lyricists among the modern Catholic poets of Germany. The tale "Schön Röslein" (Munich, 1838), the charming collection of "Marienlieder" (Munich, 1843), some of which are still sung by the people, besides " Das Weihnaehtskripplein" (Schaflthausen, 1843), "Das Leben der hl. Cäcilia in drei Gesangen" (Munich, 1843), and the widely known and popular poems "Die Gottesfahrt nach Trier" (Coblenz, 1844), "Die arme Pilgerin zum hl. Rock" (Coblenz, 1845), the "Gedichte" (Munich, 1844), evince true art, deep perception and delicate tenderness, combined with power of conception and vigour of form. His work "Der hürnene Siegried und sein Kampf mit dem Drachen" (Schaffhausen, 1843) belongs to the domain of literary history.

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