Gruuthusemuseum

The Gruuthusemuseum is a museum of applied arts in Bruges, located in the medieval Gruuthuse, the house of Louis de Gruuthuse. The collection ranges from the 15th to the 19th century.

Presumably in the 13th century, a rich family from Bruges received the monopoly to levy taxes on gruit, and built a storage for it. The building was changed in the early fifteenth century by Jan IV van der Aa to a luxury house for his family, which subsequently changes its name to "Van Gruuthuse" ("From the Gruit house"). His son Louis de Gruuthuse adds a second wing to the house, and in 1472 a chapel. This connects the house to the adjacent Church of Our Lady, Bruges.

In 1596, the house is bought by king Philip II of Spain and in 1623 given to Wenceslas Cobergher to house the Bruges mount of piety. The city of Bruges bought the house in 1875, and architect Louis Delacenserie completely restored it between 1883 and 1895. The exterior is partly original, partly a reconstruction; the interior is mostly a late 19th century Neogothical reconstruction of a medieval interior. The building was initially used by the city if Bruges to display the archaeological collection of the Société Archéologique, and expanded into a more general museum over the years, after the city had acquired the collections for themselves in 1955.

The museum was started to house the collection of the Société Archéologique. Some of the driving forces behind the start of the museum were art historian William Henry James Weale and architect William Curtis Brangwyn.

The museum displays both the interior of a house of a rich family as it would have been in the late Middle Ages, and a collection of everyday tools and utensils. On display are furniture, bobbin lace, objects in gold and silver, weapons, musical instruments, and ceramics. The most famous object in the collection is the painted terracotta bust of Charles V, Holy Roman Emperor from 1520, attributed to Conrat Meit. Another highlight is the collection of Flemish tapestries from the 16th and 17th century.

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