Gregory David Roberts | |
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Born | Gregory John Peter Smith 21 June 1952 (age 64) Melbourne, Australia |
Occupation | Novelist, charity organiser and screenplay writer |
Nationality | Australian |
Period | 2003–present |
Website | |
www |
Gregory David Roberts (born Gregory John Peter Smith; 21 June 1952) is an Australian author best known for his novel Shantaram. He is a former heroin addict and convicted bank robber who escaped from Pentridge Prison in 1980 and fled to India, where he lived for ten years.
Roberts reportedly became addicted to heroin after his marriage ended, and he lost custody of his young daughter. In his efforts to finance his drug habit, Roberts became known as the "Building Society Bandit" and the "Gentleman Bandit", because he had chosen to rob only institutions with adequate insurance, he would wear a three-piece suit, and he always said "please" and "thank you" to the people he robbed.
Roberts believed at the time that in this way he was lessening the brutality of his acts, but later in his life he admitted that people only gave him money because he had made them afraid. He escaped from Pentridge Prison in 1980.
In 1990, Roberts was captured in Frankfurt after being caught smuggling heroin into the country. He was extradited to Australia and served a further six years in prison, two of which were spent in solitary confinement. According to Roberts, he escaped prison again during that time, but relented and smuggled himself back into jail. His intention was to serve the rest of his sentence to give himself the chance to be reunited with his family. During his second stay in Australian prison, he began writing Shantaram. The manuscript was destroyed by prison wardens, twice, while Roberts was writing it.
After leaving prison, Roberts was able to finally finish and publish his novel, Shantaram. The book's name comes from the name his best friend's mother gave him, which means "Man of Peace", or "Man of God's Peace".
There is debate as to how much of Shantaram is based on true events or is a conflation of real life and fantasy. On that aspect of Shantaram and of the follow-up novel, The Mountain Shadow, Roberts has stated:
Some experiences from my life are described pretty much as they happened, and others are created narratives, informed by my experience. I wanted to write two or three novels on some bare elements from my life, allowing me to explore the themes that interested me, while keeping the narrative immediate by anchoring it to some of my real experiences. They’re novels, not autobiographies, and all of the characters and dialogue is created. It doesn’t matter how much of it is true or not to me, it’s how true they are to all of us, and to our common humanity.