Greatest Hits Deluxe Redux
| Blondie 4(0) Ever | ||||
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Greatest Hits Deluxe Redux cover
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| Greatest hits album / Studio album by Blondie | ||||
| Released | May 12, 2014 | |||
| Recorded | 2012–2013 | |||
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| Length | 95:13 | |||
| Label | Noble ID | |||
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| Blondie chronology | ||||
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| Ghosts of Download cover | ||||
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| Singles from Ghosts of Download | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Consequence of Sound | D+ |
| PopMatters |   |
| Rolling Stone |  |
Blondie 4(0) Ever is a double album by American rock band Blondie. It was released on May 12, 2014, by Noble ID in celebration of the band's 40th anniversary. The two-disc package consists of Greatest Hits Deluxe Redux, a collection of re-recordings of Blondie's past singles, and the band's tenth studio album, Ghosts of Download. The latter spawned three singles: "A Rose by Any Name", "Sugar on the Side", and "I Want to Drag You Around".
Blondie began working on their tenth album shortly after the release of their ninth studio album, Panic of Girls (2011). In early March 2013, the band announced via Facebook and Twitter that they were putting finishing touches to new music, and it would be released later that year. The album was recorded at Mercy Sound Studios in New York City and at Skyline Studios in Oakland, California. Guitarist and co-founder Chris Stein announced that artists scheduled to feature on the album include girl group Stush, hip hop group Los Rakas, and Colombian electronica artist Systema Solar. On June 18, the group announced through Facebook that they were still recording but almost finished, while revealing that their next album would be titled Ghosts of Download. Stein stated in August that an EDM collaboration with Hector Fonseca would be included on the album.
"This project was ongoing since we finished Panic of Girls", Stein commented. "It's been like two years that I have been working on this. This one is more computer-based than the last record, which was more band-based. A lot of the programmed parts remained on the record, more so than the previous records. I spent a lot of time doing this at home, and then sending things back and forth with our producer Jeff Saltzman. He helped develop melodies with me, and that was really gratifying. And he had this assistant, Natalie Hawkins, who helped with the melodies too. There was a lot of collaboration with this record, more so than previous records, except perhaps for Autoamerican (1980) which had a lot of outside players on it, even an orchestra."
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Wikipedia