Granville Barker
| Harley Granville-Barker | |
|---|---|
Photograph taken in 1906
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| Born | Harley Granville Barker 25 November 1877 London |
| Died | 31 August 1946 (aged 68) Paris, France |
| Occupation | Actor, director, playwright |
| Language | English |
| Nationality | English |
| Period | Edwardian era |
| Genre | Drama |
| Notable works | The Voysey Inheritance, Waste, The Madras House |
| Spouse | Lillah McCarthy Helen Huntington |
Harley Granville-Barker (25 November 1877 – 31 August 1946) was an English actor, director, playwright, manager, critic, and theorist. After early success as an actor in the plays of George Bernard Shaw he increasingly turned to directing and was a major figure in British theatre in the Edwardian and inter-war periods. As a writer his plays, which tackled difficult and controversial subject matter, met with a mixed reception during his lifetime but have continued to receive attention.
Harley Granville-Barker was born in London, England on 25 November 1877. He left school at 14 and began a career in acting. As his career blossomed, he seemed to excel in roles that were a culmination of intelligence and romantic dreaminess. This landed him many roles such as; Tanner in Man and Superman, Cusins in Major Barbara, Marchbanks in Candida, and Dubedat in The Doctor's Dilemma. To be more specific the Dubedat and Cusins characters were written by George Bernard Shaw with Granville-Barker specifically in mind. However, performing no longer appealed to Granville-Barker so he gave it up in 1911.
With an interest for theatre still at heart, he decided to focus on directing. During this time directing was not a focus point in English theatre, but he used the building blocks of Antoine and Reinhardt to his advantage and contributed to changing the dynamics of production in English theatre. Some of his first assignments were with the Stage Society, but it wasn't until 1904 when he worked with the Royal Court Theatre that his directing career took off. From 1904 to 1907 he was considered to be one of the major reformers of the Edwardian Stage. While working with the Royal Court, he collaborated with J.E. Vedrenne to mount almost 1,000 performances. Many of these performances were classics while some were new pieces work. Among the new pieces of work, were eleven plays written by George Bernard Shaw. Granville-Barker often worked with Shaw to assist in staging his plays and directing them as well.
As the Vedrenne-Barker seasons closed with the Royal Court, new opportunities opened with the Duke of York's Theatre in 1910. This new opportunity reminded Granville-Barker of the need for more repertory companies. In 1904 he collaborated with William Archer to write a book that argued for a national theatre, unfortunately it was a lost cause that became one of the biggest disappointments in his life. However, his efforts did not go to waste but added to the growth of the regional repertory movement in Britain.
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