Grammy Award for Best New Age Album | |
---|---|
Awarded for | Quality albums in the new-age music genre |
Country | United States |
Presented by | National Academy of Recording Arts and Sciences |
First awarded | 1987 |
Last awarded | 2016 |
Official website | grammy.com |
The Grammy Award for Best New Age Album is presented to recording artists for quality albums in the new-age music genre at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".
Originally called the Grammy Award for Best New Age Recording, the honor was first presented to Swiss musician Andreas Vollenweider at the 29th Grammy Awards in 1987 for his album Down to the Moon. Two compilation albums featuring Windham Hill Records artists were nominated that same year. The record label was founded by William Ackerman, later an award nominee and 2005 winner for the album Returning. From 1988 to 1991 the category was known as Best New Age Performance. Since 1992 the award has been presented as Best New Age Album. Beginning in 2001, award recipients included the producers, engineers, and/or mixers associated with the nominated work in addition to the recording artists.
While "new-age" music can be difficult to define, journalist Steven Rea described the genre as "music that is acoustic, electronic, jazzy, folky and incorporates classical and pop elements, Eastern and Latin influences, exotic instrumentation and environmental sound effects." According to the category description guide for the 52nd Grammy Awards, the award is presented for instrumental or vocal new-age albums "containing at least 51% playing time of newly recorded material", with seasonal recordings not being eligible. The addition of the award category reflected a "coming of age" of the music genre, though some new-age musicians dislike the term "new-age" and some of its negative connotations.