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Grace Nono

Grace S. Nono
Grace Nono (2008).jpg
Born May 6, 1965
Agusan, Philippines
Nationality Filipino
Occupation
  • singer
  • ethnomusicologist
  • scholar of Philippine shamanism
  • cultural worker
Website gracenono.com

Grace Nono is a Filipino singer, known for her musical style based on traditional Filipino rhythms. She is also an ethnomusicologist, scholar of Philippine shamanism, and cultural worker.

Grace Nono was born on May 6, 1965 in Butuan, Agusan del Norte, CARAGA region, Mindanao, southern Philippines, and was raised in Bunawan, Agusan del Sur. Her mother, Ramona R. Sacote, was an English and mathematics teacher, writer, and school administrator originally from Camiguin island. Her father, Igmedio A. Nono, originally from Nueva Ecija, was a farmer leader who promoted land reform, established cooperatives, and advocated organic farming long before it was fashionable.

Grace attended East Bunawan Central School where she graduated at the top of her class in 1976. After a year in Agusan National High School, she moved to the Philippine High School for the Arts where she majored in Theatre Arts, finishing in 1981. Grace went on to complete a bachelor’s degree in Humanities in 1986 and a master’s degree in Area Studies focus on the Philippines in 2004 from the University of the Philippines. In 2009, she began her doctoral studies in Ethnomusicology at New York University and graduated in 2014. Grace received further training through the Asian Cultural Council in New York in 2008, the UCLA Asia Pacific Performance Exchange in Los Angeles in 2006, the Asia-Pacific Cultural Center for UNESCO in Kyoto in 2009, the Asian Institute of Management's Managing the Arts Program in Makati in 2003, the Global Research Initiative in Florence in 2013, and the Harvard Divinity School’s Women’s Studies in Religion Program and Center for the Study of World Religions in Cambridge in 2015-16.

Grace is known for her music performances that draw from Philippine sung oral traditions. She has performed in over sixty cities and venues in over twenty countries in Asia, Europe, and North America. These performances have included solo concerts at the Cultural Center of the Philippines in Manila (1995), the Metropolitan Museum of Manila (1995), the House of the World's Cultures in Berlin (2005), the Circulo de Bellas Artes in Madrid (2006),Mercat de les Flors in Barcelona (2006), the Asia Society in New York (2013, 2015), the Renee Weiler Hall in New York (2012), the Irish Arts Center and Symphony Space in New York (2010, 2011, 2012, 2013, 2014), the World Exposition on Nature's Wisdom in Nagoya (2005), the WOMAD-Minato Mirai in Yokohama (1996), the National Museum in Singapore (2009), the Singapore Arts Festival (2003), the Hong Kong Festival for the Arts (1998), Asia Society Hong Kong (2013); collaborations with the Asian Fantasy Orchestra in New Delhi, Bombay, Tokyo, Nagoya, Osaka, Miyazaki (1998), Bangkok, Vientiane, Yangon, Hanoi and Ho Chi Minh (2003), and with the Gathering of Drummers in Prague and Bratislava (2009); various artists concerts at the Lincoln Center La Casita Festival in New York (2009), the Music Village Festival in London (2002), the World Music Festival in Penang (2012); guest performances and presentations in Monte Carlo (2006), Paris (2002, 2006), Ithaca (2006), Boston (2014, 2016), Toronto (2014), Vancouver (2014, 2016), Huairou (1995), Nanning (2006), Shanghai (2008), Kaohsiung (2005), Seoul, Jaraseom (2008),Jakarta, Honolulu (2006, 2016), Los Angeles (2006), San Francisco (2008), San Diego (2002), Chicago (2002), Ann Arbor (2016), Bloomington (2016), Richmond (2016), Blairstown (2014), Fairfield (2014), Quezon City, Cebu, Iloilo, Roxas, Bikol, Baguio, Sagada, Butuan, Davao, Cagayan de Oro, General Santos, Zambales, Cagayan Valley, Palawan and Mindoro.


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