Good Monsters
| Good Monsters | ||||
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| Studio album by Jars of Clay | ||||
| Released | September 5, 2006 | |||
| Recorded | March–May 2006 | |||
| Genre | Rock | |||
| Length | 50:32 | |||
| Label | Essential Records | |||
| Producer | Jars of Clay | |||
| Jars of Clay chronology | ||||
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Singles from Good Monsters |
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| CCM Magazine | A+ |
| Christianity Today | |
| Cross Rhythms |   |
| Jesus Freak Hideout |  |
| Patrol Magazine | (7.4/10) |
| Soul Shine Magazine | |
Good Monsters is the seventh full-length studio album from Jars of Clay, released by Essential Records on September 5, 2006. This is their last album of new material from Essential Records and it is said to be lyrically their most aggressive album to date. It features eleven original songs, and a remake of "All My Tears" by Julie Miller. It also features guest appearances by singer/songwriter Kate York (on "Even Angels Cry"), Leigh Nash, of Sixpence None the Richer (on "Mirrors & Smoke"), and the African Children's Choir (on "Light Gives Heat").
"Dead Man (Carry Me)", the first single from the album, was released to radio stations on June 23, 2006. "Work" was released as the second single, along with its music video, in late August. The band also released a music video for the album track "Good Monsters". In the September 2006 edition of CCM Magazine, the band credited fellow artist Ashley Cleveland with inspiring the improvisational sound of the album.
In an editor's fall albums overview in CCM Magazine, Good Monsters was called, "the album that Jars of Clay will be remembered for." It ended up taking the award for the CCM Magazine staff picks as album of the year, winning four out of the five spaces.
Concerning the album's title and themes, Dan Haseltine explains, "I was not sure how all of the experiences of the last few years would translate into music. There have been so many things to look at and describe. This record is part confessional, part euphoric love poem, bitter separation and part benediction. It was born out of many experiences and conversations between addicts, failures, lovers, loners, believers, and beggars. And so the language of recovery and the honest discourse about our attempts to live apart from God and apart from each other is a theme. Engaging people who are doing the hard work of laying their lives open to others, and avoiding isolation, has allowed me to see that there is both immeasurable evil and unfathomable good mixing under my own skin and it is grace, mercy and freedom that allow me to not simply be a monster, but to be a good monster."
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Wikipedia