"Gonna Get Over You" | ||||
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Single by Sara Bareilles | ||||
from the album Kaleidoscope Heart | ||||
Released | September 16, 2011 | |||
Format | Digital download, radio airplay | |||
Recorded | 2009-2010 | |||
Genre | Pop rock, doo-wop | |||
Length | 4:16 | |||
Label | Epic | |||
Songwriter(s) | Sara Bareilles, Sam Farrar | |||
Producer(s) | Neal Avron | |||
Sara Bareilles singles chronology | ||||
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Ryan Tedder singles chronology | ||||
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"Gonna Get Over You" is a song written and recorded by American singer Sara Bareilles. It was released as the third and final single from her second studio album Kaleidoscope Heart (2010). On September 20, a new version featuring Ryan Tedder was released exclusively on iTunes. Lyrically, the song speaks about getting over an ex-lover and is a "doo-wop pop song." It received a positive reception from most music critics, who noted it as one of the album's highlights and a "harmony post-breakup track." A music video was released on September 20 and is directed by actor Jonah Hill. Mainly, the video consists of a heavily eye-lined, leather jacket-wearing Bareilles as she grooves her way down the supermarket aisle. Later, she's joined by a group of identical leather jacket-wearing pals who dance with her as she grazes the produce section.
"Gonna Get Over You" was written by Bareilles and Sam Farrar, who is the bass guitar player for rock band Phantom Planet. Bareilles recorded a new version featuring additional vocals from OneRepublic's Ryan Tedder. The new version was released as a single on September 20, 2011 exclusively on iTunes. Jon Pareles wrote for The New York Times that "the "post-breakup ballad" is a "finger-snapping, modernized doo-wop concoction" and has "swooping harmonized lines, nonsense-syllable backups, antiphonal choirs and a chorus that revolves around a nugget of self-reliance: 'I’ll be all right, just not tonight/But someday'." Jim Farber of New York Daily News perceived that the track "strikes a marching beat, making a heartbreak song sound like a victory lap." Will Hermes of Rolling Stone considered it the best track on the album, writing that the song is "a playfully sexy bit of doo-wop pop." Allison Stewart of Washington Post called it a "rollicking, harmony-heavy pop song." Megan Vick wrote for Billboard that the song is a "mid-century piano parlor ditty."BBC Music's Mark Beaumont believed that the "hooks that intensify on Gonna Get Over You, which might as well be called Man, I Feel Like Shania."