Godard
| Jean-Luc Godard | |
|---|---|
Jean-Luc Godard at Berkeley, 1968
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| Born |
3 December 1930 Paris, France |
| Citizenship | French, Swiss |
| Alma mater | University of Paris |
| Occupation | Film critic, director, actor, cinematographer, screenwriter, editor, producer |
| Years active | 1950–present |
| Notable work |
Breathless My Life to Live Contempt Pierrot le Fou Histoire(s) du cinéma |
| Movement | French New Wave |
| Spouse(s) |
Anna Karina (m. 1961; div. 1965) Anne Wiazemsky (m. 1967; div. 1979) |
| Partner(s) | Anne-Marie Miéville |
| Awards |
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| Signature | |
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Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He is often identified with the 1960s French film movement La Nouvelle Vague, or "New Wave".
Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." As a result of such argument, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy.
Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.
In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker,Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders,Bernardo Bertolucci, and Pier Paolo Pasolini.
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