"Goblin Market" (composed in April 1859 and published in 1862) is a narrative poem by Christina Rossetti. In a letter to her publisher, Rossetti claimed that the poem, which is interpreted frequently as having features of remarkably sexual imagery, was not meant for children. However, in public Rossetti often stated that the poem was intended for children, and went on to write many children's poems. When the poem appeared in her first volume of poetry, Goblin Market and Other Poems, it was illustrated by her brother, the Pre-Raphaelite artist Dante Gabriel Rossetti.
"Goblin Market" is about two close sisters, Laura and Lizzie, as well as the goblins to whom the title refers.
Although the sisters seem to be quite young, they live by themselves in a house, and are accustomed to draw water every evening from a stream. As the poem begins, twilight is falling, and as usual, the sisters hear the calls from the goblin merchants, who sell fruits in fantastic abundance, variety and savour. On this evening, Laura lingers at the stream after her sister has left for home, intrigued by the goblins' strange manner and appearance. (Rossetti hints that the "goblin men" resemble animals—for example, having faces like wombats or cats, and possessing tails.) Longing for the goblin fruits but having no money, the impulsive Laura offers a lock of her hair and "a tear more rare than pearl."
Laura gorges on the delicious fruit in a sort of bacchic frenzy, then once she is finished, after picking up one of the seeds, returns home in an ecstatic trance. Lizzie, waiting at home, and "full of wise upbraidings," reminds Laura of Jeanie, another girl, who, having likewise partaken of the goblins' fruits, died just at the beginning of winter, after a long and pathetic decline. Strangely, no grass grows over Jeanie's grave. Laura dismisses her sister's worries, and says she shall return to the goblins the next night and return with more fruits for herself and Lizzie. That night, the sisters go to sleep in their shared bed.
The next day, as Laura and Lizzie go about their work in the house, Laura dreamily longs for the coming evening's meeting with the goblins. However, at the stream that evening, as she strains to hear the usual goblin chants and cries, Laura discovers to her horror that, although Lizzie still hears the goblins' voices, she cannot.
Unable to buy more of the forbidden fruit, and sickening for the lack of it, Laura falls into a slow physical deterioration and depression. As winter approaches, she withers away, aging at an unnatural rate and physically unable to do her accustomed household work. One day she remembers the saved seed and plants it, but nothing grows.