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Go, Go, Second Time Virgin

Go, Go, Second Time Virgin
Go, Go Second Time Virgin (DVD cover art).jpg
Cover of the December, 2000 Region 1 DVD release
Directed by Kōji Wakamatsu
Produced by Kōji Wakamatsu
Written by Masao Adachi
Izuru Deguchi
Kazuo 'Gaira' Komizu
Starring Michio Akiyama
Mimi Kozakura
Music by Meikyu Sekai
Cinematography Hideo Itō
Distributed by Wakamatsu Productions
Release date
1969
Running time
65 minutes
Country Japan
Language Japanese

Go, Go, Second Time Virgin (ゆけゆけ二度目の処女, Yuke Yuke Nidome no Shojo) is a 1969 Japanese film by Kōji Wakamatsu.

Poppo, a teenage girl, is raped by four boys on the roof of a seven-story apartment building. She asks them to kill her, but they mock her and leave. Tsukio, a teenage boy, has been watching the rape passively. Over the course of a day and a night, Poppo and Tsukio begin a relationship, telling each other of their troubled past and philosophizing about their fate. Poppo describes an earlier rapes shown in flashback. In a color flashback, Tsukio tells of his own recent sexual abuse at the hands of a neighboring foursome, all of whom he has stabbed to death. Poppo repeatedly asks Tsukio to kill her, but he refuses.

When the gang returns and again rapes Poppo, Tsukio kills each of them and their three girlfriends. While he is doing this, Poppo follows him complaining that he refuses her request, yet is killing the gang. The story ends with Poppo and Tsukio both jumping off the apartment roof to their deaths.

Kōji Wakamatsu had worked for Nikkatsu studios between 1963 and 1965, and directed 20 exploitation films during that time. When his pink film Skeleton in the Closet (壁の中の秘事, Kabe no Naka no Hibe Goto) (also known as Secret Acts within Four Walls) (1965) ran afoul of the government, and the studio did not support him, Wakamatsu quit Nikkatsu to form his own production company. His independent films of the late 1960s were very low-budget, but often artistically done works, usually concerned with sex and extreme violence mixed with political messages. Some critics have suggested that these films were an intentional provocation to the government, in order to generate free publicity resulting from censorship controversies. According to Patrick Macias, "No one had up to that point, or since, filmed porn with as overtly politically radical and aesthetically avant-garde an agenda as Wakamatsu had."

These films were usually produced for less than 1,000,000 yen (about $5,000), necessitating extreme cost-cutting measures including location shooting, single-takes, and natural lighting. Usually predominantly in black and white, Wakamatsu occasionally uses bursts of color in these films for theatrical effect. Like many of Wakamatsu's films of this period, Go, Go, Second Time Virgin is set mostly at one location—an apartment rooftop. It was shot in four days with a minimal budget.


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