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Give Me All Your Luvin'

"Give Me All Your Luvin'"
Madonna - Give Me All Your Luvin'.jpg
Single by Madonna featuring Nicki Minaj and M.I.A.
from the album MDNA
Released February 3, 2012
Format
Recorded
Genre Dance-pop
Length 3:22
Label Interscope
Writer(s)
Producer(s)
  • Madonna
  • Solveig
Madonna singles chronology
"Revolver"
(2009)
"Give Me All Your Luvin'"
(2012)
"Girl Gone Wild"
(2012)
Nicki Minaj singles chronology
"Turn Me On"
(2011)
"Give Me All Your Luvin'"
(2012)
"Starships"
(2012)
M.I.A. singles chronology
"Bad Girls"
(2012)
"Give Me All Your Luvin'"
(2012)
"Bring the Noize"
(2013)
Music video
"Give Me All Your Luvin'" on YouTube

"Give Me All Your Luvin'" is a song by American singer Madonna from her twelfth studio album, MDNA (2012). It features guest vocals by rappers Nicki Minaj and M.I.A. The song was written and produced by Madonna and Martin Solveig, with additional writing by M.I.A., Minaj and Michael Tordjman. After working with Solveig on one song, Madonna continued recording others including "Give Me All Your Luvin'". Madonna chose to work with M.I.A. and Minaj on the track, since she felt they were both strong women with unique voices. She also liked their music and what they represented.

A demo version of the song, titled "Give Me All Your Love", was leaked on November 8, 2011 resulting in a man from Spain being arrested for copyright violations. The final version of the song was released on February 3, 2012, as the lead single from MDNA. The track was her debut single from her three-album deal with Interscope Records. Backed by bouncing synthesizers, marching drums and a cheer, "Give Me All Your Luvin'" is a dance-pop song, with elements of new wave and disco. Madonna executes the chorus in high-pitched vocals while during its dubstep breakdown, Minaj raps her verse as her alter-ego Roman Zolanski, followed by M.I.A. rapping her verse.

"Give Me All Your Luvin'" received mixed reviews from music critics. Its chorus was noted as a highlight by critics, who described it as catchy; however, they felt that the musical composition was inferior to Madonna's previous singles. Commercially, the song attained success peaking at number one in Canada, Finland and Hungary, and inside the top ten in several European countries. In the United States, it became Madonna's 38th top-ten hit on the Billboard Hot 100 chart, extending her record as the artist with most top-ten singles in the chart's history.


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