Giovan Battista Piranesi

Piranesi
Self-portrait of Piranesi.
Born	(1720-10-04)4 October 1720 Mogliano Veneto
Died	9 November 1778(1778-11-09) (aged 58) Venice
Nationality	Italian
Education	Matteo Lucchesi
Known for	Etching
Notable work	Le Carceri d'Invenzione and etchings of Rome
Movement	Neoclassicism

Giovanni Battista (also Giambattista) Piranesi (Italian pronunciation: [dʒoˈvanni batˈtista piraˈneːzi]; 4 October 1720 – 9 November 1778) was an Italian artist famous for his etchings of Rome and of fictitious and atmospheric "prisons" (Le Carceri d'Invenzione).

Piranesi was born in Mogliano Veneto, near Treviso, then part of the Republic of Venice. His father was a stonemason. His brother Andrea introduced him to Latin and the ancient civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings.

From 1740 he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was beyond engraving. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver."

After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna.

From 1743 to 1747 he sojourned mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774 he created a long series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient edifices: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic and the First Emperors"). In 1761 he became a member of the Accademia di San Luca and opened a printing facility of his own. In 1762 the Campo Marzio dell'antica Roma collection of engravings was printed.