Gilbert V. Hartke
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The Reverend Fr Gilbert V. Hartke O.P. |
|
|---|---|
| Religion | Christianity |
| Order | Order of Preachers |
| Church | Roman Catholic Church |
| Personal | |
| Nationality | American |
| Born | January 16, 1907 |
| Died | February 21, 1986 (aged 79) |
| Religious career | |
| Ordination | 1936 (priesthood) |
Gilbert V. Hartke, O.P. (January 16, 1907 – February 21, 1986) was an American director, playwright, and priest of the Order of Preachers (Dominicans). He was founder of The Catholic University of America’s Department of Speech and Drama, one of the first university drama programs in America. Hartke developed his curriculum during a time when drama was not considered a discipline in Catholic universities.
He directed over 60 major productions at CUA, and several more for the National Players, a touring company he created. He secured the Olney Theatre, a summer stock playhouse in Olney, Maryland as a base for the Players. He invited his friend Helen Hayes and other notables to star in productions at Olney.
He wrote five plays, and toured his students on five continents and across the United States. He recruited playwright Leo Brady, director Alan Schneider and theatrical designer James Waring to the faculty. He also enlisted the assistance of Josephine McGarry Callan, a vocal coach, who was particularly noted for the excellence of the choral speaking she supervised in campus productions of Greek tragedy, and such plays as T.S. Eliot's Murder in the Cathedral.
Also known as the “show-biz priest”, Father Hartke, a onetime college football player, was not a conventional Dominican friar. Still, he occupied a monk's cell in the Dominican House of Studies across the street from CUA, and often led students in praying the rosary at a little shrine in the entrance courtyard of the building housing the Speech and Drama Department. With his deep dramatic voice, athlete's frame, full head of silver hair, and often dressed in his white Dominican robes, Father Hartke was an arresting presence.
Well-known and highly regarded in social, business and political circles, he played an active role in the fight against racial discrimination in Washington, D.C., and served on the board of the revived Ford's Theatre. He was close friend and confidante to actors, politicians, and presidents.
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