Gil Vicente
| Gil Vicente | |
|---|---|
 |
|
| Born | c.1465 possibly Guimarães, Portugal |
| Died | 1536 (aged 70–71) possibly Évora, Portugal |
| Occupation | Playwright, goldsmith (disputed) |
| Nationality | Portuguese |
| Subject | Religion, satires |
| Literary movement |
Renaissance humanism Portuguese Renaissance |
| Notable works | A Trilogia das Barcas, Farsa de Inês Pereira, Monólogo do Vaqueiro |
Gil Vicente (Portuguese: [ˈʒiɫ viˈsẽtɨ]; c.1465 – c. 1536), called the Trobadour, was a Portuguese playwright and poet who acted in and directed his own plays. Considered the chief dramatist of Portugal he is sometimes called the "Portuguese Plautus,"[3] often referred to as the "Father of Portuguese drama" and as one of Western literature's greatest playwrights.[1] Vicente worked in Portuguese as much as he worked in Spanish[3] and is thus, with Juan del Encina, considered joint-father of Spanish drama.
Vicente was attached to the courts of the Portuguese kings Manuel I and John III. He rose to prominence as a playwright largely on account of the influence of Queen Dowager Leonor, who noticed him as he participated in court dramas and subsequently commissioned him to write his first theatrical work.
He may also have been identical to an accomplished goldsmith of the same name,[2] creator of the famous monstrance of Belém, and master of rhetoric of King Manuel I.
His plays and poetry, written in both Portuguese and Spanish, were a reflection of the changing times during the transition from Middle Ages to Renaissance and created a balance between the former time of rigid mores and hierarchical social structure and the new society in which this order was undermined.
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