Ghetto fabulous

Ghetto fabulous is a lifestyle expression believed to have originated among African Americans living in poor urban areas.

Ghetto fabulous is a fashion stereotype alluding to individuals living in an affluent materialistic style while not always having any luxurious possessions or wealth. As a comedic device, it often dramatizes and draws attention to life in the ghetto. For example, in the motion picture B*A*P*S (or Black American Princesses), the protagonists pretend to belong to an upper-economic class, but in reality they live a lifestyle that is full of superficial glamour.

Ghetto fabulous style has moved into the mainstream along with hip-hop and rap music icons adopting the style though sometimes calling the fashion "uptown couture" with common "ghetto fabulous" styles mixed with couture labels, including new upscale/designer labels created by hip-hop moguls including Sean Combs, Jay-Z, and Kimora Lee Simmons.

The phrase has also been the title of several rap albums and songs including Mystikal's 1998 album Ghetto Fabulous, Fabolous's 2001 album, Ghetto Fabolous and the Ras Kass' song "Ghetto Fabulous".

The origin of ghetto fabulousness fits into a larger cultural trend of the time. During the 1990s, Black, urban fashion was becoming a hot commodity through the rise of “hardcore” rap. The music of the inner city black male filled radios and television screens with images of inner city life and their daily struggles. In a society of iconic images, the image of the ghetto fabulous woman started to form. Many of the images in music videos were centered on young women and their hyper-sexualized bodies while the “media turn[ed] girls into spectacles−visual objects on display… as in fabulous”. Because of the circumstances of many inner city families, poverty and consumerism became the focal point of artistic expression. With the rise of malls in the 1980s, this could be seen in the larger cultural context as well. “Excessive consumerism and an obsession with bling are certainly not confined to any particular demographic. We are a nation of excess and instant gratification. It has become the American way”. For inner city youth, the ghetto fabulous life was about trying to outrun their socio-economic situations. For centuries, fashion has represented socio-economic status, so lower classes will buy outside their means in order to try and fit into an image of the upper classes. This mentality of buying outside ones means contrasted many attitudes of earlier generations. Parents and grandparents did not have the culture of overnight success and YouTube sensations. They learned that you must work for what you want. “As the literal and figurative daughter of postfeminists, the current girl inherits the desire to ‘have it all,’ while embracing (unlike her mother, with no angst) both girl power independence and persistent commodity consumption that puts her sexualized body and self on display". The materiality and mentality of being ghetto fabulous go hand-in-hand. You have to have the mind to buy the right items, and those items in return help maintain the mentality of extravagance.

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