Georgiana Burne-Jones

Georgiana Burne-Jones
Georgiana Burne-Jones, née MacDonald c.1882, photographed by Frederick Hollyer
Born	Georgiana MacDonald 21 July 1840 Birmingham, England, United Kingdom of Great Britain and Ireland
Died	2 February 1920
Nationality	British
Movement	Pre-Raphaelite Brotherhood, Aesthetic Movement, Arts and Crafts Movement

Georgiana Burne-Jones, Lady Burne-Jones (Birmingham, 21 July 1840 – 2 February 1920), the second oldest of the Macdonald sisters, was the wife of Pre-Raphaelite artist Edward Burne-Jones, mother of painter Philip Burne-Jones, confidant and friend of William Morris and George Eliot, and something of a painter and engraver in her own right. She was a Trustee of the South London Gallery and was elected to the parish Council of Rottingdean, near Brighton in Sussex. She is known for the biography of her husband, The Memorials of Edward Burne-Jones and for publishing his Flower Book. She became the mother-in-law of John William Mackail, who married her daughter Margaret. Their children were the novelists Angela Thirkell and Denis Mackail.

Georgiana, always called "Georgie", was born in Birmingham on 21 July 1840, one of eight surviving children born to the Reverend George Browne Macdonald (1805–1868), a Methodist minister, and his second wife Hannah (née Jones) (1809–1875).

The Macdonald family moved frequently since the usual time in each of George's postings was three years, returning to Birmingham in September 1850, where Georgiana's elder brother Harry attended King Edward's School. Through him Georgiana and her sisters were introduced to a group of students who would become known as the Birmingham Set or "Pembroke Set" at the University of Oxford, most of whom were from Birmingham or had studied at King Edward's. Among them was the young Edward Burne-Jones (then plain Edward or Ned Jones). Edward went up to Exeter College, Oxford, to study theology. There he met William Morris as a consequence of a mutual interest in poetry. The two Exeter undergraduates formed a very close and intimate society, which they called "The Brotherhood", with other members of the Birmingham set. The members of the Brotherhood read John Ruskin and Tennyson, visited churches, and worshipped the Middle Ages. At that time neither Burne-Jones nor Morris knew Dante Gabriel Rossetti personally, but both were much influenced by his works, and met him by recruiting him as a contributor to their Oxford and Cambridge Magazine which Morris founded in 1856 to promote their ideas. Under Rossetti's influence both Burne-Jones and Morris decided to become artists, and Burne-Jones left college before taking a degree to pursue a career in art.