Georgian poetry

Georgian Poetry refers to a series of anthologies showcasing the work of a school of English poetry that established itself during the early years of the reign of King George V of the United Kingdom.

The Georgian poets were, by the strictest definition, those whose works appeared in a series of five anthologies named Georgian Poetry, published by Harold Monro and edited by Edward Marsh, the first volume of which contained poems written in 1911 and 1912. The group included Edmund Blunden, Rupert Brooke, Robert Graves, D. H. Lawrence, Walter de la Mare, Siegfried Sassoon and John Drinkwater. It was not until the final two volumes that the decision was taken to include female poets.

The period of publication was sandwiched between the Victorian era, with its strict classicism, and Modernism, with its strident rejection of pure aestheticism. The common features of the poems in these publications were romanticism, sentimentality and hedonism. Later critics have attempted to revise the definition of the term as a description of poetic style, thereby including some new names or excluding some old ones. W. H. Davies, a contemporary, is sometimes included within the grouping, although his "innocent style" differs markedly from that of the others.

In the 1930s, Henry Newbolt "estimated there were still at least 1000 active poets" in England, and that "the vast majority would be recognisably 'Georgian'".

Edward Marsh was the general editor of the series and the centre of the circle of Georgian poets, which included Rupert Brooke. It has been suggested that Brooke himself took a hand in some of the editorial choices.

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