Georges Brassens
| Georges Brassens | |
|---|---|
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| Background information | |
| Born |
22 October 1921 Sète, Hérault, France |
| Died | 29 October 1981 (aged 60) Saint-Gély-du-Fesc |
| Genres | Chanson |
| Occupation(s) | Singer-songwriter |
| Instruments | Acoustic guitar |
| Years active | 1951–1981 |
| Labels | Universal Music |
| Associated acts | Pierre Nicolas, sometimes Barthélémy Rosso, Joël Favreau |
Georges Brassens (French: [ʒɔʁʒ bʁasɛ̃s]; 22 October 1921 – 29 October 1981) was a French singer-songwriter and poet.
He wrote and sang, with his guitar, more than a hundred of his poems, as well as texts from many others such as Victor Hugo, Paul Verlaine, or Louis Aragon. In 1967, he received the Grand Prix de Poésie of the Académie française.
Between 1952 and 1976, he recorded fourteen albums that include several popular French songs such as Les copains d'abord, Chanson pour l'Auvergnat, La mauvaise réputation, and Mourir pour des idées. Most of his texts are black humour-tinged and often anarchist-minded.
Brassens was born in the town of Sète, a town in southern France near Montpellier. Now an iconic figure in France, he achieved fame through his elegant songs with their harmonically complex music for voice and guitar and articulate, diverse lyrics; indeed, he is considered one of France's most accomplished postwar poets. He has also set to music poems by both well-known and relatively obscure poets, including Louis Aragon (Il n'y a pas d'amour heureux), Victor Hugo (La Légende de la Nonne, Gastibelza), Jean Richepin, François Villon (La Ballade des Dames du Temps Jadis), and Antoine Pol (Les Passantes).
During World War II, he was forced by the Germans to work in a labor camp at a BMW aircraft engine plant in Basdorf near Berlin in Germany (March 1943). Here Brassens met some of his future friends, such as Pierre Onténiente, whom he called Gibraltar because he was "steady as a rock." They would later become close friends.
After being given ten days' leave in France, he decided not to return to the labour camp. Brassens took refuge in a small cul-de-sac called "Impasse Florimont," in the 14th arrondissement of Paris, a popular and working class district, where he lived for several years with its owner, Jeanne Planche, a friend of his aunt. Planche lived with her husband Marcel in relative poverty: without gas, running water, or electricity. Brassens remained hidden there until the end of the war five months later, but ended up staying for 22 years. Planche was the inspiration for Brassens's song Jeanne.
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