George Groslier
| George Groslier | |
|---|---|
George Groslier in his office, 1926
|
|
| Born |
February 4, 1887 Phnom Penh, Cambodia |
| Died | June 18, 1945 (aged 58) Phnom Penh, Cambodia |
| Occupation |
|
| Language | French |
| Nationality | French |
| Education | École nationale supérieure des Beaux-Arts |
| Subject | Cambodian dance, art, culture and history |
| Notable works |
|
| Years active | 1910–45 |
| Spouse | Suzanne Poujade, 1893–1979 |
| Children |
|
George Groslier (French: [ʒɔʁʒ ˈgʁo.lje] (zhorzh gro-lyay) (February 4, 1887, in Phnom Penh, Cambodia – June 18, 1945, in Phnom Penh) was a French polymath who – through his work as a painter, writer, historian, archaeologist, ethnologist, architect, photographer and curator – studied, described, popularized and worked to preserve the arts, culture and history of the Khmer Empire of Cambodia. Born in Phnom Penh to a French civil servant – he was the first French child ever born in Cambodia – Groslier was taken by his mother to France at the age of two and grew up in Marseilles. Aspiring to become a painter, he tried but failed to win the prestigious Prix de Rome. Shortly afterwards, he returned to Cambodia, on a mission from the Ministry of Education. There he met and befriended a number of French scholars of traditional Cambodian culture. Under their influence, he wrote and published, in France in 1913, his initial book on this subject: Danseuses Cambodgiennes – Anciennes et Modernes (Cambodian Dancers – Ancient and Modern). It was the very first scholarly work ever published in any language on Cambodian dance. He then returned to Cambodia, traveling the length and breadth of the country to examine its ancient monuments and architecture. From this experience came his book A l'ombre d 'Angkor; notes et impressions sur les temples inconnus de l'ancien Cambodge (In the Shadow of Angkor: Notes and Impressions on the Unknown Temples of Ancient Cambodia). In June 1914, Groslier enlisted in the French army and was employed as a balloonist in the early part of World War I. It was during this time that he met and married sportswoman Suzanne Cecile Poujade; they eventually had three children.
He was ultimately reassigned to French Indochina because of his knowledge of the Khmer language. Upon his arrival in Phnom Penh in May 1917, he was charged with a new mission: to found a new Cambodian art museum and organize a school of Cambodian arts. From 1917 to his retirement in 1942, Groslier changed the focus of his work from that of merely describing Cambodian culture for a European audience to what he called a "rescue mission" to save the indigenous national art forms of Cambodia from destruction. His vision for the museum was to build collections from the full range of Cambodia’s traditional works of art. At the art school, Groslier did not try to make the native culture adapt to that of the colonizing power; on the contrary, he insisted that the school be run by Cambodians for Cambodians and that no European influence be allowed. He was also intolerant of any attempts by Europeans to loot or damage native art. In 1923, the 22-year-old writer André Malraux, later to become world-famous, removed some bas-relief statues from a 10th Century temple, Banteay Srei, with the intention of selling them to an art museum. Although Malraux claimed that he was acting within the law, Groslier immediately had him arrested, scarring the former's reputation in Indochina. Groslier would later contemptuously refer to Malraux as "le petit voleur" ("the little thief").
...
Wikipedia