George Edward Kelly
| George Kelly | |
|---|---|
| Born | George Edward Kelly 16 January 1887 Philadelphia, Pennsylvania, U.S. |
| Died | 18 June 1974 (aged 87) Bryn Mawr, Pennsylvania, U.S. |
| Partner | William Weagley |
| Related to |
Grace Kelly (niece) Albert II of Monaco (great-nephew) |
| Information | |
| Debut works |
The Torch Bearers (1922) The Show-off (1924) |
| Magnum opus | Craig's Wife (1926) |
| Awards | Pulitzer Prize for Drama (1926) |
George Edward Kelly (16 January 1887 – 18 June 1974) was an American playwright, screenwriter, director, and actor. He began his career in vaudeville as an actor and sketch writer. He became best known for his satiric comedies, including The Torch-Bearers (1922) and The Show-Off (1924).
Kelly was born in Philadelphia, the second of ten children of Mary Ann (Costello) and John Henry Kelly, Irish immigrants. He was the brother of American businessperson and Olympic champion sculler John B. Kelly Sr. and the uncle of actress Grace Kelly and rower John B. Kelly Jr. Not much is known about his early life, but he was an actor in his early years. He did not like the dramatic material available during the turn of the century, and wanted to change that. He served in France during World War I and after he came home starting writing.
Throughout his career, Kelly remained a realistic playwright, unaffected by the experiments of theatrical modernism. Novelist Edward Maisel described him as "a simple moralist using the theatre for simple moral purposes." Kelly's plays are often dominated by characters of monstrous egotism, and he casts a harsh light on their shortcomings. Uncompromising in his vision, he scrupulously avoided sentimentality and depictions of romance. Arthur Willis noted "Kelly appears to be anti-love, anti-romantic love, certainly, and distrustful of the tender emotions."
In his first full-length play, The Torch-Bearers, Kelly satirizes the "Little Theatre Movement", depicting it as made up of narcissistic and undisciplined amateurs. Their leader, Mrs. J. Duro Pampinelli, is a brilliant caricature of self-indulgent dilettantism. In the first act, Kelly shows the incapable of conducting a competent rehearsal; in the second, he depicts with farcical brilliance their public performance collapsing in shambles. In the third act, however, the tone grows more earnest as the players are excoriated for their indulgences. In his greatest popular and commercial success, The Show-Off, Kelly focuses his critique on the figure of Aubrey Piper, a loud, lying, self-deluded businessman with an obnoxious laugh and an obvious toupee. With Craig's Wife (1925), Kelly's satire grew more severe; Harriet Craig destroys her marriage through her possessiveness and materialism.
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