Georg Thurmair
| Georg Thurmair | |
|---|---|
| Born |
7 February 1909 Munich, Germany |
| Died | 20 January 1984 (aged 74) Munich, Germany |
| Occupation |
|
| Spouse(s) | Maria Luise Thurmair |
| Awards | Silvesterorden |
Georg Thurmair (7 February 1909 – 20 January 1984) was a German poet who wrote around 300 hymns, a writer, journalist and author of documentary films.
Born in Munich, he took commercial training and worked from 1926 as a secretary at the Jugendhaus Düsseldorf. He became an assistant to Ludwig Wolker who had worked in Munich from 1923, but moved to Düsseldorf when he was elected president of the Katholischer Jungmännerverband Deutschlands. Thurmair studied at the Düsseldorf Abendgymnasium.
In 1932 Thurmair designed at a national meeting of the Sturmschar several editions of the weekly Junge Front, which was directed against the emerging National Socialism. The Nazis claimed the title, and it had to be renamed Michael in 1935, and was banned in 1936. Thurmair worked on two songbooks of the Jungmännerverband, Das graue Singeschiff and Das gelbe Singeschiff. From 1934, Thurmair was an editor of the youth journal Die Wacht, which first published in 1935 his hymns "Nun, Brüder, sind wir frohgemut" (known as the Altenberg pilgrimage song) and "Wir sind nur Gast auf Erden", which was first called a Reiselied (travel song).
He was interrogated by the Gestapo and included in a Liste der verdächtigen Personen (list of suspicious persons). He therefore wrote under various pseudonyms, such as Thomas Klausner, Stefan Stahl, Richard Waldmann, Simpel Krone, and Schikki. In 1936, Thurmair and Adolf Lohmann published a school songbook for the Rhineland. As it juxtaposed Catholic songs and Nazi songs, it was banned.
Together with Josef Diewald and Lohmann, in 1938 Thurmair published the hymnal Kirchenlied, intended to be a common hymnal for German-speaking Catholics. Called a Standard Songbook, this collection of 140 old and new songs, beginning with the 16th century and including several Protestant songs, as well as ten of Thurmair's songs, was significant for ecumenical church singing in German and became the germ cell for the Gotteslob of 1975, which incorporated 75 of the Kirchenlied songs. This hymnal was not immediately banned, because of its many Protestant songs.
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